Silver Screen (Nov 1935-Mar 1936)

Record Details:

Something wrong or inaccurate about this page? Let us Know!

Thanks for helping us continually improve the quality of the Lantern search engine for all of our users! We have millions of scanned pages, so user reports are incredibly helpful for us to identify places where we can improve and update the metadata.

Please describe the issue below, and click "Submit" to send your comments to our team! If you'd prefer, you can also send us an email to mhdl@commarts.wisc.edu with your comments.




We use Optical Character Recognition (OCR) during our scanning and processing workflow to make the content of each page searchable. You can view the automatically generated text below as well as copy and paste individual pieces of text to quote in your own work.

Text recognition is never 100% accurate. Many parts of the scanned page may not be reflected in the OCR text output, including: images, page layout, certain fonts or handwriting.

Silver Screen for November 1935 69 offered three juicy roles at once! One day Bob ran into Margaret Lindsay, a childhood friend, who also entertained acting ambitions. Margaret was down and out and almost ready to give up the stage. Bob told her his experiences, she decided to follow his example, went to England and returned to win a much coveted role in "Cavalcade." But to get back to our story: Being on a southern plantation of Civil War days, we are naturally surrounded by slaves. To be sure, most of them hail from Central Avenue, but there are a few who have actually seen the South. There is, for example, Alexander Hill. From South Carolina, Alex is the real thing. He works hard and sends all his money home to his mammy. I asked how he happened to come to Hollywood. "Well, ma'am," he said. "Ah jus' woke up one mawnin' an' says: 'Guess Ah'll go to Hollywood.' So Ah started out to come an' heah Ah is." Alex hitch-hiked to Hollywood, hiking a good deal more than hitching. The day he arrived, he went out to Paramount studios, where "Mississippi" was being cast, and immediately won a job in the Bing Crosby picture. "So Red the Rose" is his second film appearance, and he says: "So fah Ah's done pretty good by mahse'f." He hopes to follow in the footsteps of that grand colored actor Daniel Haynes, who starred in King Vidor's "Hallelujah," played five successive years in "Green Pastures," and now has a role in "So Red the Rose." One of Alexander's most important scenes showed him driving along the roadway singing a darky song. Director Vidor left the choice of songs to his discretion. Down the path came Alex, crooning a melodious chant about "Down by de ribbah." Vidor ordered a retake. The scene was perfect, but Alex was too good an imitation of Bing Crosby and his crooning about rivers. In the end Alex was prevailed upon to sing another number featuring "Going down dat Gawgia line." Alexander finished that scene several hours ago. We've already seen rushes on it, and it looks as though Alex may turn out to be a prominent person round-about Hollywood before he's finished. It's three a. m. now. We'll probably be shooting another two hours. My optimism when I started this story this morning— or should I say yesterday morning? —is beginning to wane. I'm not so sure the compensations of the movie business do make up for its hardships. The sun that shone so warmly during the day has been replaced by a cold blue moon. Fog is rolling in over the hills. The cast is still working beneath the warm arc lights; but the rest of us are left out in the cold. We have only the beauty of the set to help take our minds off our discomfort. A mile down the drive, twenty expert horsemen mounted on gorgeous thoroughbred horses are awaiting a cue. In the doorway stand Margaret Sullavan and Randy Scott. Director Vidor gives his cue. Cameras start grinding. The horses come galloping down the drive to the mansion door, their riders singing "When Johnny Comes Marching Home." At the door they come to a halt, shouting and waving at the players on the veranda. They are on their way to war and have come to take Randy with them. No set could be more alive with color and good cheer. But out here on the side-lines it's still mighty chilly. Oh, well, we should be finished by five o'clock. Then we can crawl into our warm beds back at the lodge and catch a few much-needed hours of shut-eye. Tomorrow we go back to Hollywood to shoot studio interiors. •efore FILM does this to you_ Remove it daily as only Pepsodent — the Special FilmRemoving Tooth Paste — does MANY dentifrices claim to remove film from teeth. . . . but for that duty Pepsodent stands unique. Film is a glue -like mass that forms on teeth. It absorbs stains from food and smoking . . . makes teeth unattractive. Worse still, it shelters germs which break down these food particles to form acids. These acids attack tooth enamel and cause decay. Therefore, removing film should be rule number one in protecting lovely teeth. Film may combine with minerals in saliva to harden into tartar. The jagged edges of these tartar deposits can make gums sore and even cause them to bleed. How to remove film In removing film the Pepsodent laboratories have made a great discovery. A new cleansing and polishing material has been developed. As a film-removing agent it stands unsurpassed. Yet this material is far softer than the one most commonly used in dentifrices. Being softer, it cannot harm precious tooth enamel. And so, in judging a dentifrice, ask yourself: Does it remove film? Is it safe? These are your dentist's standards. Judged by them Pepsodent stands unique. No other can give you Pepsodent results. FREE! GENEROUS SUPPLY ! THE PEPSODENT CO., Dept. 3011 919 No. Michigan Avenue, Chicago, Illinois Please send me FREE 10-day supply of Pepsodent, the Special Film-Removing Tooth Paste. □ Check here only if you prefer TREE supply of the New Pepsodent Tooth Powder. Name Address City State Coupon not good after April SO, 1336. Only one to a family NEW! PEPSODENT TOOTH POWDER ^hd&^&^ti New Radio Hit! Pepsodent's New Radio Sensation — Al Pearce and His Gang— N. B. C.