Silver Screen (Nov 1935-Mar 1936)

Page scan 000383 from Silver Screen

Record Details:

Title:
Silver Screen
Date:
Nov 1935-Mar 1936
Publisher:
[New York, N.Y. : Screenland Magazine]
Volume:
Silver Screen (Nov 1935-Mar 1936)
Leaf #:
000383
Language:
English
Subjects:
motion pictures, Motion pictures -- Periodicals","Celebrities -- United States -- Periodicals","Motion picture actors and actresses -- United States -- Periodicals","Television actors and actresses -- United States -- Periodicals","Entertainers -- United States -- Periodicals
Collection:
Fan Magazines and Hollywood Studio System
Format:
Periodicals
Contributor:
Library of Congress, MBRS, Moving Image Section
Sponsor:
Library of Congress, Motion Picture, Broadcasting and Recorded Sound Division
Coordinator:
Media History Digital Library
Date Added:
August 22, 2024
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the Agony Every Play Must Stimulate Your Imagination. Suspense Is "The Salt Of Pictures. N "Show Them No Mercy," the B| brutal Bruce Cabot, one of the kid*• napers (how he is improving), kicked own the door to kill the helpless little lother and baby. A tremendous scene ecause of the element of suspense. Anther breath-taking scene was in "The ;all of the Wild" when the dog tried to ull the load— would he or wouldn't he? great sequence. During these building[p scenes it takes a good actor not to mg. Rolling the eyes is O.K. and practically o film is complete without a lowering lance or two to the right and left, but he mouth gives the ham actor away, [owever they do it they must work up le agony— it is the suspense that packs le house. Fiction editors know that ambitious Titers are apt to get their hero in so eep that even their own wit cannot escue him. Suspense is an avenging motion. If the climax does not justify le elaborate working up, condemnation swift and sure. Anthony Adverse, in the African sequence, is swayed by the loveliness of the native girl. Fredric March and Stiff! Duna. John Halliday awakens the beautiful Marlene Dietrich to learn of the missing necklace in "De