Silver Screen (Nov 1936-Apr 1937)

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" He played two small bits in Hollywood pictures and then his third assignment was one of the plums of 1936— the lead in "Lloyds of London." Had Tyrone remained on the stage it probably would have been several years, with plenty of trouping and stock in the meantime, before he got himself a big dramatic lead. Things happen fast in the movies. But don't let yourself be too taken in by all this. Crashing Holly%vood isn't as easy as I may have led you to believe. You see, Hollywood doesn't insist upon a long apprenticeship, and years and years of study, BUT Hollywood does insist upon a talent, and a mighty good talent too. Every little kid isn't a ShiVley Temple. Every dancer isn't an Eleanor Powell. Every Pomona college boy isn't a Robert Taylor. No, you've got to have that talent, "gift" I believe the actors like to call it, before you can expect to become a part of the easiest art in the world. But if you have that gift you don't have to starve, unappreciated and unwanted, as the geniuses did of old. In Hollywood you can have your cake and eat it 100. "Sitting Pretty — No Complaints" [Continued from page 39] and then. Every stage actor knows when he is, and when he is not, in touch with his audience. There is a mysterious force operating between the two. Not until this contact is established will he be able to carry his audience with him. It isn't only the player who acts. The audience acts too, and the play is the joint product of both. "The cinema has many advantages over the theatre. Let me mention a few. A stage play is never the same, it varies with each performance. A screen play, on the other hand, is permanent, fixed. The cinema actor, fiuthcrmore, has the whole world as his audience. On the scteen )ou can have \ast deserts, seas, mounlains, whole armies in action. Its scope is far wider than that of the theatre. "iVIy contract with Mr. AVanger allows me to spend six months out of c\ery year abroad. This enables me to rcnc\v my association with the Eiench ihcatie and cinema, and many valuable friendships. What more could a I rench actor wish? Hoi 1\ wood is the paradise for actors. As a l-.inopcan, I know what a jirccarious life (he ascrage aclor in lunope leads. Holhwood is a lanlastic dream lo iheni. a place of iiiciedilile wonders. In Kuiope. Holly wood has ten times the glamour it has for the rest of this country. I have no complaints; on the contrary I am deeply grateful to .\mei ican audiences for accepting me in straight dramatic roles in spite of my accent. I'm afraid, in France, an .-Xmerican actor speaking as bad French as I do English would not be accepted except in comedy. " Said AValier Connolly, genial character actor of stage and screen, who trooped \\ith such famous personalities of the theatre as Sothern and Marlowe before he became the official daddy of the screen's loveliest femmes: "Year by \ear Hollywood is doing much better things-pictures you really enjoy. I get a real kick out of my parts. Producers are tackling more worthwhile subjects, and it's gvalihing to be associated with them. It's ania/ing how film audiences have improved (lining the past five or six years. This business is 'way ahead of what it used to be. Now everybody goes to pictures! "Howexcr. from the standpoint of personal ego. I believe the stage oilers more satisfaciion to any man who feels acting is his profession. The screen is the director's medium; the stage, the actor's. Of 76 S I I. V !•: K S c K I n N