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HENRY ——
Beginning Monday Evening. S
HENRY MILLER’S THEATER husband. was excellent tho I am aga
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THEATER, NE
“THE CHANGELINGS”
A Comedy by Lé
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THE NEW PLAYS ON BROADWAY |
ne = ene ry 1s. = gently satiric and completely entertaining comedy of ideas. Superbly played byan exceptionally well-balanced cast. GORDON WHYTE.
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CHARLES DILLIN GHAM Present FLORENCE REED In a Play
“THE LULLABY”
xard Knoblock
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To the women that men have for
Produ 1 by Fred G.
Normandy—Ear'r
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( eonard Madie ma. ni ....David Giassford
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Orer Six M s Hare Elapsed Salignac’s Rooms, Paris—A Midwinter Morning “Le Ponle’’ e....-Marianne Walter
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Three Years Hare Elapsed Madelon’s Boudoir, Paris—A Late Aftermoon in June
Floreace Reed Grace Perkins Rupert Lamicy Bareness Dar eine esd — o Fleniag
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Morgaa Seene 2—I1*81
The Sem
Restaurant Pompadour
Frask Hora a a T -~-* 2 J Dougherty ad John Leahy
Seeme 3—1551 Four Months Leter jelon’s Bedroom. Paris—A Norember Night
cocecccccceses-.-Florence Reed
Frederick Maynard.. Trewbridze CMs a 6s iter cbeaniets k Horse Ms aoe Floren Re-d 4 ¥ gs & c . Leonard Mud An © s Fovcenevesan rd bora tea A tT eman, 2 Arabs Seene 2—19= Twenty Years More Have Elapsed
A Prison Cell, Tunis—Sanrix elon oascassonus coccess-Florence Reed -Mary Rota cecccccce DOVE Glassford Seene 3 The Epiloe
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This is a fine weepy melodrama of which Edward written for Florence also it is the best role she has years. Starting with a and unfortunate end of he author shows
thru
the
ogartl “The Harlot’s Progress”.
I attended this performance at a We esday matinee and the house wus filed with women. They reveled in the pl and wep@ briny pools. Pools? They you l
lacrimated oceans And you will
° of your reporter
had reason i-plent doing. The way
buffeted around
ea = step in the downward ttle rougher,
a i.
ms
poor Made
from man to
to make has overlooked this piece, and
<noblock
yet he has turns t
first-rate play of its kind. It is not the equal of his “Kisme but it is an emotional drama that will have vast eal, unless all the signs fail Anyone w ne kes Florence Reed busiess from th attacks a part with complete Knowledge of
what can be done with it and the way
Here is ng. who
to do it. solid
an actress with a
trair snows it in every
move she a} nd every line she speaks. As M the girl, the wo
an ar the om he achlevec a subtle difference in mz:
fied the changes made by
, the years in the bod ind in the m This pl ra thru a eriod { sixty-three year nd itis M Recd job to be Madele 1 the
adolescence tre ) Th ron = wit
as equal to it, not only
1t in carriage ce nd
well This is acting of the
2 wei cr n
: ‘reat ork 1 shrewish s° motner Leonard M > in two completely different char r
izations, a pea
was iA . }
enier
ctresses car
and tearful melosome splendid actReed and support
ing company.
GORDON WHYTE.
SAM H. HARR Beg ge Tues ° be SAM H. HARRIS Presents
FRANK KEENAN
—In—
“PETER WESTON”
Da: Leighton Os Staged U s 1 Direct af Me ~— Oo. ‘ mt CAST “ti A ACTERS Ww <* J v , — . tv? = Tv
James Weston, Her Brotber-in : “ae Jes ana. Jessie Weston, Peter’s Dane J Ao sn
Johns W s Soa N ~ ry % a Mosler
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The Peo A. O. Had At the « f the fret acer ¢ “Dp . Wrest ; = + ’ = ¥ \ I have witnessed this I was nr 7 ; < res< ?
-* . 2 . > . = > A erat > the . } curt This s ft < > oo such x P West s tris > s s<ful business man who has taken a small pump