Sociology of film : studies and documents (1946)

Record Details:

Something wrong or inaccurate about this page? Let us Know!

Thanks for helping us continually improve the quality of the Lantern search engine for all of our users! We have millions of scanned pages, so user reports are incredibly helpful for us to identify places where we can improve and update the metadata.

Please describe the issue below, and click "Submit" to send your comments to our team! If you'd prefer, you can also send us an email to mhdl@commarts.wisc.edu with your comments.




We use Optical Character Recognition (OCR) during our scanning and processing workflow to make the content of each page searchable. You can view the automatically generated text below as well as copy and paste individual pieces of text to quote in your own work.

Text recognition is never 100% accurate. Many parts of the scanned page may not be reflected in the OCR text output, including: images, page layout, certain fonts or handwriting.

CHILDREN AND ADOLESCENTS AND THE CINEMA Bernadette, and although they cannot see the vision, they kneel and pray. The police do all in their power to stop them, but in vain. The people build an altar there, and go there daily. Meanwhile M. Souribous had found a good job, and the family were healthier and better off. One day the lady tells Bernadette to wash in and drink of the spring and eat of the plants growing by it. There is no spring visible so Bernadette begins to dig underground and washes herself in mud. However Mme. Souribous intervenes and drags her daughter away, fearful for her health. Antoine, a young man desirous of marrying Bernadette, stays behind, sitting miserably on the ground. Suddenly he feels water on his hand, and looking down, sees a little stream of water coming out of the hole which Bernadette had dug. He rushed away to call back the villagers. Meanwhile an old man who was half-blind, bathed his eyes in the water, and suddenly could see again. 17. S.M. None Shall Escape! That was the title of a recent film, and also a warning to the free peoples of the world after the war. It takes the individual case of a Nazi war criminal after the war, being tried in a court of law. It is not a film that one could like, but there were many good points in the film, although it contained much to be criticised. It is certain that no war criminal will be tried in such a manner or in such a court. Also, to build up a story, many things were left by the film, in which the Nazis would have been absolutely ruthless. It did, however, portray in a vivid manner the inumerable crimes of the Nazis, and the danger in allowing even one of them to escape. The film opens in a future war court, where the Judge announces that Reichfiihrer X — is to be tried. He pleads innocent and wishes to act for his own defence, although he will not allow any verdict, as he, as a Nazi, does not recognise the authority of such a court. The first witness was the local padre from a village in Poland. As he tells his accusation, the scene is switched from the courtroom, back to the time of which the padre is telling. He is walking in the village square, soon after the Armistice of 19 18 was declared, when he sees the accused man, then a German corporal, approaching with a missing leg replaced by a wooden one. He used to teach in 79