Sociology of film : studies and documents (1946)

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APPENDIX 3 cultivation of love, still less any increase of love, only a friendly co-existence without either having time for the other. Regularly on week-ends both go out together to the 'pictures' and enjoy the love-happiness of elegantly dressed actors, enjoy the passionate meetings of the imaginary people — and they are compensated for what they themselves have not, for what they cannot have, owing to ignorance at the start of their marriage, and no less owing to the social conditions of our age, which absorb the weak individual entirely into the acquisitive process of business and production. Now an illustration of the other kind of satisfaction. There is a decent girl, well educated and charming, whose only admitted plan for life is to marry an educated and kind-hearted professional man. In this she succeeds. The young man, in addition, is quite handsome, though far removed from the athletic actor, and certainly not a 'lady's man'. He is greatly in love with his charming wife; and she, too, seems to be happy. At times they go to the cinema, and more frequently to a 'show'; and, to the surprise of the serious and strictly monogamic husband, his charming wife never stops being enthusiastic about the 'sweetness' and the 'handsome figure' of this or that actor, about his 'beautiful smile', and similar things. The embarrassed husband cannot join in the praise, since he begins to have feelings of inferiority; above all, he is puzzled, because many of the men on the stage who are admired by his wife are, in his opinion, anything but strikingly handsome. I know this from his complaints during a training analysis: I also had the opportunity of knowing his wife more closely before she was married to him, and I am satisfied that she is a decent wife, and also that she would never have thought of marrying an actor or an opera singer, however handsome. Her conscious aims were always directed towards science, a monogamous, happy marriage, and a religious spirit in the home; and all this is hardly to be expected in the general run of actors. The solution is clear: the charming wife does not even realise how polygamous she, in fact, is; how much within her psyche she is craving for the love or attention of famous and elegant actors, who, however, are at the same time the ideal of numerous other girls. Not that our woman would in reality exchange her husband for such a one. Had she the choice once again, and the opportunity of choosing between both types, undoubtedly she would decide again for that type which her husband represents. The other man is only the object of her fantasy-life; she, though unaware of this, wishes to enjoy him, but simply and solely during her occasional revelling 298