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BIBLIOGRAPHY March aud, R. et Weinstein, P., Vart dans la Russie nouvelle:
le Cinema, Paris, 1927. Marshall, H., Soviet Cinema, London, 1945. Moussinac, L., Naissance du Cinema, Paris, 1925. Moussinag, L., Le Cinema sovietique, Paris, 1928. Peters, C. C, Motion Pictures and Standards of Morality, New
York, 1933.
Reports :
The Film in National Life, London, 1932.
The Film in National Life, being the proceedings of a conference held by
the British Film Institute in Exeter, April, ig4J. Robson, E. W. and M. M., The Film Answers Back: an Historical
Appreciation of the Cinema, London, 1939. Rotha, P., Celluloid: the Film To-day, London, 1931. Roth a, P., Documentary Film, London, 1936. Seldes, G., Movies for the Millions, London, 1937. Shand, P. M., Modern Theatres and Cinemas, London, 1930. Shuttleworth, F. K., and May, M. A., The Social Conduct and
Attitudes of Movie Fans, New York, 1933. Spottiswoode, R., A Grammar of Film, London, 1935.
Various Authors :
L Art cinematographique, vol. i-viii, Paris, 1 926-1 931. Waples, D. (Editor), Print, Radio and Film in a Democracy, Chicago, 1942.
Psychology — General
Bartlett, F. G., The Problem of Noise, Cambridge, 1934.
Beck, M., Psychologie: Wesen und Wirklichkeit der Seele, Leiden, 1938.
Bergson, H., Laughter: an Essay on the Meaning of the Comic, London, 191 1.
Bergson, H.,L5 Evolution creatrice, Paris, 1924.
Binswanger, L., Einfuehrung in die Probleme der allgemeinen Psychologie, Berlin, 1922.
Bleuler, E., Lehrbuch der Psychiatrie, Berlin, 1920.
Dewey, J., Human Nature and Conduct, New York, 1930.
Dollard, J. and others, Frustration and Aggression, London, 1944.
Drever, J., Instinct in Man, Cambridge, 1921.
Dumas, G., Traite de Psychologie, 2 vols., Paris, 1923.
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