Sodom and Gomorrah : the story of Hollywood (1935)

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SODOM A N D GOMORRAH 35 but there is where > There st number of n who come t< who cannot act. So many, in fact, that we fa become a bit skeptical. We — " [reena interrupted. "But ... the rij technique, Mr. Kent "I was just coming to that," he replied. must get into contact, close contact 1 mean, with >nnected with the industry. You must become intimately associated with him, freeing yourself from restraint. If that per liter knowing you, thinks you can act, he will push you forward into prominence. Then you are started, and how far you go depend entirely upon yourself." "But how can you get into close contact with some influential person?*' lreena wanted to know. You just can't run up to some executive and commence a personal friendship." "Ah. that's the point. I'm glad you brought that up," he said. "There is a way, Miss Delmar — oh. damn it all, why be so formal. I'm going to call you lreena. you don't mind — and 1 shall point it out for you. I can g u a concrete example. I am the right-hand man of Mr. Lech stein, an important supervisor. Now if I know someone wl 1 think is a potential star. Ill recommend her to Lechstein. Naturally he will want lit for h a disc He'll I p with a director