Sodom and Gomorrah : the story of Hollywood (1935)

Record Details:

Something wrong or inaccurate about this page? Let us Know!

Thanks for helping us continually improve the quality of the Lantern search engine for all of our users! We have millions of scanned pages, so user reports are incredibly helpful for us to identify places where we can improve and update the metadata.

Please describe the issue below, and click "Submit" to send your comments to our team! If you'd prefer, you can also send us an email to mhdl@commarts.wisc.edu with your comments.




We use Optical Character Recognition (OCR) during our scanning and processing workflow to make the content of each page searchable. You can view the automatically generated text below as well as copy and paste individual pieces of text to quote in your own work.

Text recognition is never 100% accurate. Many parts of the scanned page may not be reflected in the OCR text output, including: images, page layout, certain fonts or handwriting.

SODOM AND GOMORRAH 55 Hollywood to recognize the difference between g-ood and had taste in drama. Vs thi and now. those responsible for cinema entertainment are either so ignorant or debauched -quite likely both — that they cannot or will not see that it is possible to have sex or crime in pictures without making either of these dramatic factors offensive. \ftcr all, that is art. The only difference between a £ood stage production and a burlesque is the difference in the quality and manner in which the entertainment is presented. It is the same with literature. Two writers can take the same subject and one can turn out a masterpiece and the other a lot of filthy "tripe." The idea that there might be a possible art in producing amusement that is entertaining without being obscene seems never to have occurred to the heads of the motion picture industry. It is a fact, a most lamentable one. that the average motion picture is more nearly like a dirty burlesque <how than a good dramatic feature. This statement will appear on its face to be pretty much o\ an irresponsible exaggeration, but consider the case. In the average film one finds the "undressing" scenes that arc entirely superfluous to plot or characterization in the picture. They are there merely t<» stimulate the erotic ' f baked y >r those feeble minded adults who derive sexual pleasure from