Sodom and Gomorrah : the story of Hollywood (1935)

Record Details:

Something wrong or inaccurate about this page? Let us Know!

Thanks for helping us continually improve the quality of the Lantern search engine for all of our users! We have millions of scanned pages, so user reports are incredibly helpful for us to identify places where we can improve and update the metadata.

Please describe the issue below, and click "Submit" to send your comments to our team! If you'd prefer, you can also send us an email to mhdl@commarts.wisc.edu with your comments.




We use Optical Character Recognition (OCR) during our scanning and processing workflow to make the content of each page searchable. You can view the automatically generated text below as well as copy and paste individual pieces of text to quote in your own work.

Text recognition is never 100% accurate. Many parts of the scanned page may not be reflected in the OCR text output, including: images, page layout, certain fonts or handwriting.

'M OR RAH 59 inal and. of a .;es his plan, while the heroin* the rything includ d to the attract urther ing her lover I the law. Clark Gable and Jean Harlow have come to typify in films free love and plenty of it. Anybody h ightest knowledge oi youth hat a disastrous effect such films have immature minds o\ adolescents who see them. The mrse, there is that outstanding ex ample of the woman who has made a fortune by flaunt;i in her pictures. She is that vulgar creatun rted quotation began ti chapter. Mae West, in the cinema, personifies licentiousness. Her pictures, it is frankly admitted, enjoy their tremendous drawing power â– lad in tinsel, shakes her hips, winks her eyes, and invites the men me up sometime." Obviously the invi tation includes something more than tea and a pleasant chat about politics. Judging by tl titles of her pictures, there is nothing in the world importance except sex. and the c< these pictur heir titl he Done Him Wr< -It Ain't No Sin" public the