Sodom and Gomorrah : the story of Hollywood (1935)

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SO DO M AND l.nMUkKAll 171 article accuses him of going "high-hat," and then promptly exonerates him from the charge. It is one of those fence-straddling affairs. Wit ness: "(lark, you have swapped your turtle-neck sweater for the dress suit. You MAY not be high hat. but there IS talk. They say you are no longer the old love 'em and leave 'em Clark that you were before your rise to fame. They say you have become a drawing-room tea guzzler. This may not be so. but the talk doesn't do you any good." Etc., Etc.. Etc. In the same number Glenda Farrell, another infallible source of material, informs her friends and fans that love is too precious to be destroyed in marriage. Here is a new angle for argument ainst matrimony. Generally it is pure convenience, rather than a high value of Cupid's wares, that induces Hollywood lovers to refrain from marrying, but Glenda supports celibacy from purely ascetic reasons. Instead ^i striving to prevent soiled love by the omission of the marriage ceremony. Miss Farrell has attained novelty by reversing the situation. All this sort of thing, stupid and silly a.s it may be. is what places the Hollywood star;, on their temporary pedestals of fame. Publicity, the foundation of their careers, finds its best medium in the inane fan magazines sold to the hero-worshipping public. One can understand, after learning the circulation of this trash, why