Sodom and Gomorrah : the story of Hollywood (1935)

Record Details:

Something wrong or inaccurate about this page? Let us Know!

Thanks for helping us continually improve the quality of the Lantern search engine for all of our users! We have millions of scanned pages, so user reports are incredibly helpful for us to identify places where we can improve and update the metadata.

Please describe the issue below, and click "Submit" to send your comments to our team! If you'd prefer, you can also send us an email to mhdl@commarts.wisc.edu with your comments.




We use Optical Character Recognition (OCR) during our scanning and processing workflow to make the content of each page searchable. You can view the automatically generated text below as well as copy and paste individual pieces of text to quote in your own work.

Text recognition is never 100% accurate. Many parts of the scanned page may not be reflected in the OCR text output, including: images, page layout, certain fonts or handwriting.

SODOM AND GOMORRAH 207 disheartened men respond favorably to the offer of "ten dollars and a bottle of Scotch." This being true of abnormal sex traffic, it is impossible to over estimate the amount of the so-called normal. However, a publicity agent of one of the major studios summed the situation up admirably when he said, referring to the extras. "Yes, we keep them pretty well in circulation." Those extras who marry merely change from the sin of fornication to adultery, for the idea of marital fidelity is absurd to those men who prey on the atmosphere players. Besides, the financial stability required for a happy and successful marriage is lacking. After the novelty has worn off, most of the extras follow the example set by their superiors of quickly forgetting their marriage vows. Unless she is married to someone outside the profession, and who has a steady income, the life of the motion picture extra is anything but enviable. Old and wornout at thirty, she has but a few years in which to battle against odds that cannot be surmounted except by luck or the gratification of passion, and the latter is most unreli able. Actors, male and female, who want to become movie stars should establish themselves outside of Hollywood. The only way to get inside a motion picture studio is to make oneself sought, rather than seeking. Any other method is much too great a gamble.