Sodom and Gomorrah : the story of Hollywood (1935)

Record Details:

Something wrong or inaccurate about this page? Let us Know!

Thanks for helping us continually improve the quality of the Lantern search engine for all of our users! We have millions of scanned pages, so user reports are incredibly helpful for us to identify places where we can improve and update the metadata.

Please describe the issue below, and click "Submit" to send your comments to our team! If you'd prefer, you can also send us an email to mhdl@commarts.wisc.edu with your comments.




We use Optical Character Recognition (OCR) during our scanning and processing workflow to make the content of each page searchable. You can view the automatically generated text below as well as copy and paste individual pieces of text to quote in your own work.

Text recognition is never 100% accurate. Many parts of the scanned page may not be reflected in the OCR text output, including: images, page layout, certain fonts or handwriting.

210 SODOM AND GOMORRAH it to the extent of bankruptcy. Other causes beside the abnormal times are responsible for the empty coffers of Hollywood. In the first place, during the prosperous years the film companies should have accumulated considerably larger reserve funds. Considering the small dividends they paid even in the most prosperous times, the motion picture corporations should have piled up enormous surpluses. This would have enabled them, with any kind of management at all, to have slipped through the depression with the least trouble of any major industry, for the films were making huge profits in 1930 and continued to operate in the black as late as 1931. It was not until 1932 that the Warner Brothers, among others, began to reckon their losses in the dozens of millions and found themselves coping with real adversity. But, like the well-known grass-hopper, while summer was here they lived high, wide, and handsome, without making provision for even the most temporary set-back, let alone real trouble. When the inflation bubble burst, then, it is no wonder that the motion picture industry crashed into bankruptcy with a momentum that is still dazing the ruined stockholders. Motion pictures, like newspapers, are a habit, and as such their patronage is not decimated by hard times like the sales in many other lines of product. People will be amused, and they will