The soul of the moving picture (1924)

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The Soul of the Moving Picture hearts are simple and those whose hearts are intricate, complex, full of intertwined sensations. To do this is hard. If and when done, it is done through the medium of great art. This book was written by a man who writes scenarios. It is not beyond reason to believe that such a book could have been written only in Germany, where one, in matters of art, not infrequently forgets the action out of an all-absorbing interest in meditation. It arose from an inner desire, from an inner exertion: I wished to become clear, for the benefit of my own manuscripts and using them as a basis, as to how a film should be constructed so that art and profit, which are inseparable in this field, might get along with each other; might endure mutual juxtaposition. And I wished to give other people the benefit of my views. I have devoted my attention mainly to those motion pictures that have been most readily accessible to my fellow-countrymen and, to me. In other words, I have discussed German films. The time at which my wounded and bleeding country will again take its place among the happy and prosperous nations of the earth is still remote. Moreover, it is only in rare instances that the best films of foreign lands are shown in our thea xviii