The soul of the moving picture (1924)

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38 The Soul of the Moving Picture his bump. After that there is nothing left but the disagreeable feeling on the part of the spectator that the staging of the piece was inadequate. The man of the moving picture is born upon the same earth upon which all the rest of us live, move, and have our being. The established laws of nature apply to him just as they apply to us. Flying through the air, disappearing into the earth — these are the inartistic little simpletons that belong to the "movie" in its most desperate and degraded age. It is not the degree to which we can imitate that makes art: art is determined by the degree in which figures are fashioned that have souls in them. The fairy-tale imitation on the part of the motion picture is fearful, at least in those instances in which, in order to carry out the trick, the lion's share is allotted to the text. The fairy film is a bit of merry nonsense, a charming piece of roguery and skylarking, which takes place here on this earth, and which is not supposed to reflect the profound seriousness of the really poetic world of fairies or other supernatural creatures. But we are at a loss to know what to do with the fairy film, for the fairy world — in this hard, sober, material, and at times, brutal world of ours — has become about extinct, depopulated, dead.