The soul of the moving picture (1924)

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CHAPTER IV THE SCENE Let thought impart fixed content to the forms That move across the stage in restless search. — Gcethe. All that has been said thus far is supposed to serve as an Ariadne thread through the labyrinth of the moving picture. All individual forms should be bound together and be reminded in this way of their common purpose and objective. For it is impossible, if art is to flourish, to permit each individual section of this manifold complex to scream aloud, and that with all its might, in an endeavor to drown out other sections by coercing them into a parrot's cage, where the most they can do is to observe an obligatory subserviency. There is no art in which the star system, the mere existence and independent, inconsiderate activity on the part of a few gifted persons, is so nefarious as in the motion picture. This is an art in which there must be an unreserved ensemble of effort, a friendship of minds, a perfect harmony of creative souls. In the orchestra of productive spirits that plays in the motion picture, no man dare be master, no man dare be assistant. The 40