The soul of the moving picture (1924)

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66 The Soul of the Moving Picture ducers rarely have the courage to go fishing for film actors, for new and youthful faces, in the great stream of humanity that flows by them without ceasing. Until only one year ago, we fancied that no one was fitted for the screen unless he had proved his ability on the stage. That was a grievous error. We have, to be sure, some clever character players whose psychic powers were not corrupted by the pathos of the stage. I mention, among others, the famous Jennings, Wegener, and Schunzel. They are great on the stage for the very evident and simple reason that they dominate any part they play and make it yield to the dictates of their own personalities. But we have no youthful favorite among the ladies; we do not have the smiling hero, who lustily packs up life and carries it off on one shoulder. But our greatest lack is in another direction : we have no young woman; we have no radiant girl. She is lacking, but only in our moving pictures; in life she is present. And if we wish to bring these charming and lovely young girls into the moving picture world and project them on the screen, we have got to make up our minds that there is but one place where they can be found: in life itself. We have got to recruit them from the flowing naturalness of their laughter.