The soul of the moving picture (1924)

Record Details:

Title:
The soul of the moving picture
Date:
1924
Publisher:
New York : E. P. Dutton & Company
Volume:
The soul of the moving picture
Leaf #:
000151
Language:
English
Collection:
Books
Format:
Books
Contributor:
Niles Essanay Silent Film Museum
Sponsor:
Media History Digital Library
Coordinator:
Media History Digital Library
Description:
Date Added:
December 21, 2023
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The Poet 99 ager. The author is poorly paid; consequently he finds it materially and spiritually unwise to torture himself for any great length of time with any one work. Quantity, not quality, has to be his shibboleth if he is to meet his very ordinary financial obligations. The mistake that is being made is naturally a two-sided one. The film author's place is in the studio; he should be the silent witness of every scene; he should be thoroughly conversant with such technical progress as has been made and is being made in the way of illumination and psychic photography. But he dare never forget that a film work is not the work of an individual. An author has to have, if success is to crown his efforts, a great store of general information, a store such as reaches far out beyond the studio. He should have a general but clear idea as to what it costs to mount a film. He should be familiar with what other film companies have accepted and produced; he should study the film output of foreign film peoples — if he does not, collisions are apt to occur and these have been known to result in lawsuits based on the charge of plagiarism. He should be skilled in the distribution and placing of such decorations as are to be used with his scenario, and thus be able to avoid the embarrassment that arises when a colos