The soul of the moving picture (1924)

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The Poet 109 The basic condition of his very being is the perfect, the universal recognition of his position, a position that he has to fight for just as strenuously as the dramaturge of the legitimate stage has to fight for his. The film dramaturge is by no means the fifth wheel on the wagon. Indeed, every art, including the art of the theater, moves along on many wheels every one of which must be in working order if the wagon in question is to enjoy easy and unimpeded motion, and is eventually to reach the point where those who are driving it, in this way and in that, would have it go.