The soul of the moving picture (1924)

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CHAPTER VII THE COMPASS OF POETRY The word is the world of the legitimate stage. It rings out clear from the actor's lips, forces its way through the spacious auditorium, and reaches the ear of the most remote spectator. The gesture is drowned out in this same space; it is the handmaid of the spoken word, to which it lends corroboration and the expression of will power. The word is an enigmatic symbol of thought. What our ear receives is a fleeting fugitive sound, almost an indifferent sequence of sounds. What our mind receives is the meaning liberated from the sound. "Death!" The meaning is clear. Remove the meaning, the sense that lies hidden in this word, and there remains nothing but a null and void sound picture : D-e-a-t-h. Make a single, insignificant change in the sound, substitute "br" for "d," and the meaning, the sense of it, is completely changed. The word is the instrument of the mind. As Heinrich Laube has well said, we termed the stage, while it was still in its "first, naive period," a Schauspiel. The words means a "play 110