The soul of the moving picture (1924)

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CHAPTER VIII FILM ADAPTATION The mad search of the motion picture for appropriate material created a unique caricature: second-hand art. In general, it is regarded as a sign of unoriginality, if not of actual sterility, when a work, which speaks a different language in the domain of art, is translated into the language of the motion picture. It is not dissimilar to the situation that obtains when a given individual, unable to write anything on his own account, translates from the writings of others. But the languages of words, words that act as the hand-maidens of thought, are all members of the same great family of the human mind. When languages of this kind are translated, the only change that is made is a change in sound. The meaning remains the same. The essential traits, the underlying faculties of a poet remain quite intact if translated cleverly, knowingly, and modestly. It is the spiritual soul that shines forth in poetry. The motion picture "is not of this confectionery," the Swiss Carl Spitteler would say. 144