The soul of the moving picture (1924)

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The Path to Art 165 of feeling, but which no thought of ours is strong enough to capture on the wing? All the riddles of our soul — call them Happiness, Heart, Love, God, or what you will, are solved in and through our feelings. It is our feelings that make us familiar with them, and intimate part of ourselves. They mock at the mind; they deride the intellect, which can do nothing more than brood in hopelessness, whereas the soul blindly resigns and thus comes to understand. Thus it is that music is the eternal soul, the symbol of all souls — of the unthinkable, the indescribable, the unspeakable. From the voices of the violin, the bass viol and the flute there breathes but one thing — the soul. We do not feel entirely familiar with the figures of the motion picture; the Tua res agitur rings out, as yet, only faintly and rarely reaches our ears. But this whole art is so elementary, and is so capable of reflecting the unthinkable fineness of the feelings, that one thing is certain : the time will come when we will be in appreciative accord with the most perfect figures of the motion picture. The union between them and us will be happy, and it will be perfect. The legitimate stage represents a defection from sensuality, and a hopeless brooding over the eternal riddles of life. But viewed in the