The soul of the moving picture (1924)

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166 The Soul of the Moving Picture proper light, a defection from sensuality may be a striving after the wish-figures of the motion picture — a home-coming to the soul, a deep baptism in the mysterious fullness of the human breast. Just how high the motion picture will rise, the extent to which it may succeed in going, no man knows. But it will reach the soul. Music originated from sensuality — from a union of rhythm and euphony. Music, too, has a sensual soul the very psychic power of which burns away all sensuality. To place relative estimates on the value of each of the arts is an irrational undertaking. On the flowery tree of humanity each art has its mysterious meaning — over which we should not brood: cold intellect cannot solve such problems as are associated with this indubitable fact. I have examined the motion picture from its various angles. I have shown what it is like, explained its fundamental nature, commented on the forces that impel it, discussed the wishes at which it aims, elucidated its origin, and set up its goal. My purpose has been to detach the motion picture from technique, and to make it serviceable to art and culture. I have endeavored to proclaim the mission of the motion picture artist. No one people, taken as a whole, has Kultur.