Sound motion pictures : from the laboratory to their presentation (1929)

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MUSIC 291 Although it is true that mechanical inventiveness in the beginning results in hardship to those who are affected, the outcome in the long run is for the general betterment. When employment of instrumentalists in theatres is curtailed because of the new condition, those who are left without posts seek new avenues for their talents and adapt themselves to the new condition. Approximately one sixth of the musicians in this country have applied their talents to the theatre. These include theatres of every description, and, of course, musicians are not disturbed in what is known as de luxe presentation theatres, vaudeville, or legitimate theatres showing musical comedies or operettas. There are greater opportunities for capable musicians than ever before because of the improvement essential in radio broadcasting. Already music for sound has been of great benefit to talented musicians. They have located themselves in the production centres, where musical scores are made; and it is a matter of record that they receive large salaries and are employed steadily. The reproduction of music to accompany a picture may be effected either at the time that the picture is being taken or afterward. Both methods are feasible, and each has its advantages. The method by which music is recorded after the final form of a picture seems at present to be preferable. The essential in this connection is simply that the highest quality of reproduction be obtained, for the primary purpose is to provide better music in locations where it is not already available. It has been found feasible to transmit music and voice currents over distances up to two hundred miles by means of telephone lines, and to record with satisfactory results. The recording and reproduction of stage sound effects has likewise proved practical. The degree of fidelity can now be said to be quite satisfactory, with the temporary exception that reproduction of explosive sounds has not yet