Sponsor (Jan-June 1956)

Record Details:

Something wrong or inaccurate about this page? Let us Know!

Thanks for helping us continually improve the quality of the Lantern search engine for all of our users! We have millions of scanned pages, so user reports are incredibly helpful for us to identify places where we can improve and update the metadata.

Please describe the issue below, and click "Submit" to send your comments to our team! If you'd prefer, you can also send us an email to mhdl@commarts.wisc.edu with your comments.




We use Optical Character Recognition (OCR) during our scanning and processing workflow to make the content of each page searchable. You can view the automatically generated text below as well as copy and paste individual pieces of text to quote in your own work.

Text recognition is never 100% accurate. Many parts of the scanned page may not be reflected in the OCR text output, including: images, page layout, certain fonts or handwriting.

Plenty of preparation went into "leg fantasy" 1. Dummies were used first for positioning and trial run. Client spent $400 prior to shooting lo lest vapors for "clouds' 2. Live models had to maintain position like below for 2% hours, were eased by 50 cushions and double SAG scale payments 3. Hal Gerson (hands raised) was Transfilm director assisting Mike Levin on job of positioning 28 legs for six-hour filming U. S. Rubber spent 10% t' MM ovv >a gvvin ta keep 'em down en the farm after they've seen Paree?" Or — how do you make sure the viewer of one of NBC s Sunday Spectaculars stays tuned for the commercials, drenched as he is in the names, costuming and production of a 90-minute tv show? Spectacular costs come high — in this case almost $1,000 per commercial second— and the pressure is even greater than usual to make sure that the commercial makes every second pay. Cer Final 23-second "leg fantasy" inserted into mated cartoon sell, looked like picture be 28 SPONSOR