The stars (1962)

Record Details:

Something wrong or inaccurate about this page? Let us Know!

Thanks for helping us continually improve the quality of the Lantern search engine for all of our users! We have millions of scanned pages, so user reports are incredibly helpful for us to identify places where we can improve and update the metadata.

Please describe the issue below, and click "Submit" to send your comments to our team! If you'd prefer, you can also send us an email to mhdl@commarts.wisc.edu with your comments.




We use Optical Character Recognition (OCR) during our scanning and processing workflow to make the content of each page searchable. You can view the automatically generated text below as well as copy and paste individual pieces of text to quote in your own work.

Text recognition is never 100% accurate. Many parts of the scanned page may not be reflected in the OCR text output, including: images, page layout, certain fonts or handwriting.

* \ .-v * THEDA BARA 77ie c?arA; /ac?y o/ </ie publicity stills. A vamp there was This was the legend they concocted for Theda Bara: She was born in the Sahara, love child of a French artist and his Arab paramour. Her name was an anagram for "Arab Death." She had a seer's power, habitually wore indigo to accentuate the deathly pallor of her skin, surrounded herself with the symbols of death — mummy cases, ravens, skulls. To love her was to die or, at the very least, to be unmanned. Theodosia Goodman, the "circumspect and demure" daughter of a Cincinnati tailor did her best to live the legend and, for a time, she appalled the genteel, outraged the moral, amused the cynical and, in general, packed 'em in. It was her refreshing exoticism, in the midst of so many golden-haired virgins, that attracted. It was her publicity that ruined her. The wish for death and the will to love may indeed spring from the same libidinal source, but it is unwise to insist on the point; it makes people very nervous indeed. Audiences began to titter uncomfortably, then to laugh uproariously and with a great sense of relief. Miss Bara's career was over. What she established, however, the lure of the exotic, the absolutely un-American woman, had a peculiar immortality. A Fool There Was, the film that launched Theda Bara in 1914. 31