The stars (1962)

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which to save the day — a pair of scissors, say, for cutting the phone line over which his enemies were relaying their plans. Groucho was, conversely, among the first of the fast-talking masters of insult, setting a style that was to be the accepted standard among the radio comics of the thirties and forties. Chico, of course, was a dialect comedian familiar to the vaudeville of a slightly earlier time. Between them, the Marx Brothers represented all the great American comedy styles. Together they transcended all style to answer a felt national need — the utter denigration of upper-class values, values which were widely believed to have caused all the troubles of the decade in which the Marx Brothers achieved their great popularity. Groucho and Margaret Dumont, in a moment typical of their love-hate relationship. Miss Dumont, for whom one critic proposed a monument for her unflinching service to comedy, was absolutely essential to a classic Marx Brothers comedy. Indeed, she was practically a member of the family.