The Story World and Photodramatist (Mar-Jun 1923)

Record Details:

Something wrong or inaccurate about this page? Let us Know!

Thanks for helping us continually improve the quality of the Lantern search engine for all of our users! We have millions of scanned pages, so user reports are incredibly helpful for us to identify places where we can improve and update the metadata.

Please describe the issue below, and click "Submit" to send your comments to our team! If you'd prefer, you can also send us an email to mhdl@commarts.wisc.edu with your comments.




We use Optical Character Recognition (OCR) during our scanning and processing workflow to make the content of each page searchable. You can view the automatically generated text below as well as copy and paste individual pieces of text to quote in your own work.

Text recognition is never 100% accurate. Many parts of the scanned page may not be reflected in the OCR text output, including: images, page layout, certain fonts or handwriting.

The Story World's Service Bureau. 0 UR chief purpose in conducting this department is to keep our readme ^f^™^ «^ Vo" the most active fiction and photoplay markets. However, it should be realized that the policies of both magazine editors and motion picture producers are subject to change. Therefore, we cannot always guarantee that our lists will be absolutely up-to-the-minute on the final date of publication. Indeed, since the last issue of The Story World we have received many letters stating that manuscripts forwarded to a certain Eastern producer had been returned unopened. Each correspondent seemed to consider himself personally insulted, and criticized us for having erroneously listed this name. Of course, we explained that the company in question had temporarily suspended production and, since it was located in the East, we had not been informed in time for publication. Our lists represent only the most stable markets. There are others, naturally, which fluctuate. But if you have a story which you believe to be different and are puzzled in selecting a possible purchaser, let the Service Bureau help you. Do not submit the manuscript, but give us brief details concerning its theme, characterization and general nature. G. Harrison Wiley, former Research Director for the Metro studios and one of the most capable technical men in the motion picture profession, is still on our staff to answer your technical questions. How ever, Mr. Wiley at present is also engaged as technical consiiltapji ira Vne Richard Walton Tully Productions, who are filming "Trilby." If he has not replied to your questions as promptly as heretofore, rest assured that he is losing no enthusiasm in his work for you. It is only that his time is more occupied in taking care of his studio duties together with answering his Service Bureau mail. Mr. Wiley's advice to writers enables them to avoid inserting in their stories scenes or situations that would prove impossible or difficult of production. Incidentally, much time and many postage stamps have been conserved. FICTION MARKETS The following list represents magazines paying for fiction upon acceptance. The market has undergone little change recently. However, prices remain high, and the properly written story should find a buyer. A double asterisk indicates those paying highest rates; a single asterisk, those paying two cents or more. Manuscripts should be accompanied by stamped, self-addressed envelopes, in order to insure prompt return to the sender: Ace-High — 799 Broadway, New York. Action Stories — 41 Union Square, New York. Adventure — Spring & Macdougal Sts., New York. ♦Ainslee's Magazine — 79 Seventh Ave., New York. ♦American Magazine — 381 Fourth Ave., New York. Argosy All-Story Magazine— 280 Broadway, New York. Asia — 627 Lexington Ave., New York. ♦Atlantic Monthly— 8 Arlington St., Boston. Black Mask— 25 W. 45th St., New York. ♦Blue Book— 36 S. State St., Chicago. Bookman— 244 Madison Ave., New York.