Swing (Jan-Dec 1945)

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26 September, 194^ The staging of one of these oper' atic masterpieces is a highly tech' nical art, even though the finished entertainment is unruffled, seemingly untouched by human hand, mechanically a miracle. A personnel of eight people is required to perform the numerous understage and backstage operations, including manipulation of the stringless puppets, operating the electric control board, and sound system, wigs and make-up. The 300 puppets who sing, dance, love, fight and die in Kungsholm productions are operated from below the 48'square'foot stage, by five trained operators who are al.«o music stU' dents knowing each opera note for note. Further mechanical equipment includes an extensive wardrobe consisting of more than TOO opera costumes, supplemented by hats, boots, accessories, etc. Each costume is an exact copy, in miniature, of those worn by Metropolitan and La Scala artists. The lighting equipment covers 48 footlights, 48 proscenium lights, 10 floor and 12 miniature spotlights, plus 500 border bulbs. The opera orchestra has a personnel of 25 puppets with a diminutive conductor, "Tosci," leading his musicians in perfect tempo with the music. Stage properties, faithful copies of period furniture, are, for the most part, constructed in Chraemer's own workshop with painstaking, loving care. With programs changed every two weeks, the grand opera season is year 'round for those who want it. Those who want it are music lovers, the stars themselves when in Chicago, and crowds of men and women who wouldn't think of going to "live" opera. Reservations are now required two weeks in advance for dinner patrons who intend to end the evening with operatic highlights. -Advice to ^MJii/eS dontempiatinq ^kootinq ^keir ^J4uALanJs Insurance statistics show That husbands are the first to go; Patience, gals, hence will mean. Avoidance of a nasty scene. There's really no need to go blast 'em Just sit at your ease and outlast 'em! — Wm. P. Rowley