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TRY TIPPING
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wee bit more decent if the redcap carries two pieces up a long ramp and to the taxi. And should your bag contain heavy hunting equipment, books, or ball'beanng samples, it would be sporting to take that into consideration.
Bellboys are on the list of tipees. Here again you have the matter of baggage. What do you want? A dime assures a frown, fifteen cents a grunted "thank you," a quarter starts a slow smile. Bellboys have you on the spot. They can delay service, forget to bring the ice and make you wish you had brought the trailer. A repeat tip on each visit to your room is a "must" if you wish to keep your temper.
And that winsome hat-check girl at SqueezeYou Night Club. Hastily you slip her a quarter. That should help her buy an Easter bonnet for that bonny head. But what's that? She drops the quarter into a locked box. Why? You'll know if you're around when the concessionarie drives up in his limousine with the key that fits the locked box.
In a taxi, start figuring your tip as a dime. When the meter registers 85 cents you better dig out another nickel. After that you're on your own.
A few tipping don'ts might not be amiss. Leaders of name bands do not like to be tipped. Smaller bands expect an expression of thanks for playing request numbers. Do not try to buy the boys in the orchestra a round of drinks in Heu of a tip. Managers frown upon it, and moreover it looks showy.
The captain of waiters gives you a special table, interprets the menu, provides extra cuts of steaks specially prepared, a careful selection of wine. You should tip him a dollar for every two persons. On the whole, do not tip captains or head waiters unless they really give you service.
Nor do you have to tip doormen for the simple gesture of helping your guests into the cab. But if he has to step out into the blizzard or rain to hail a cab, you should tip him a quarter.
Meanwhile, and for all time, the idea is to make tips serve you.
SPEAKING DF SPEAKERS....
One who appears before an audience without preparation should disappear without delay.
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It is more expedient for a speaker to combat ideas than to antagonize phrases.
An audience that lends its ears to a bore is lucky to get even its principal back.