We use Optical Character Recognition (OCR) during our scanning and processing workflow to make the content of each page searchable. You can view the automatically generated text below as well as copy and paste individual pieces of text to quote in your own work.
Text recognition is never 100% accurate. Many parts of the scanned page may not be reflected in the OCR text output, including: images, page layout, certain fonts or handwriting.
NEW YORK
1 Current Plays . . .
★ THE PLAY'S THE THING. (Apr. 25, 1948). The Riviera is the scene for Mol' nar's sophisticated and slightly superficial comedy. This entertaining revival is jplayed by an excellent cast, including
Louis Calhern, Arthur Margetson, Faye Emerson, Ernest Cossart and Claud Allister. Booth, evenings, except Sunday, at 8:40. Matinees Wednesday and Saturday iat 2:40.
[★EDWARD MY SON (Sept. 30, 1948). From a successful year's run in London comes this story of an unprincipled Eng' llishman who stops at nothing to help his wastrel son. The play scores with the brightly humorous rise of a small town storekeeper who skyrockets to success as .a peer of the realm. Two English actors, Robert Morley and Peggy Ashcroft conduct themselves admirably. Beck, eve nings, except Sunday, at 8:25. Matinees Wednesday and Saturday at 2:25.
★ LIFE WITH MOTHER. (Oct. 20, 1948). Dorothy Stickney and Howard Lindsay head the cast in this new play by Russel Grouse and Mr. Lindsay. Produced by Oscar Serlin and directed by Guthrie McCHntic. Empire, evenings, ex' cept Sundays, at 8:30. Matinees Wednes' day and Saturday at 2:30.
★ PRIVATE LIVES. (Oct. 4, 1948). Tallulah Bankhead dominates the show with her vibrant personality, and makes it a noisy success. However, Noel Coward might not recognize this revival of his 1931 pomedy which perhaps has lost a bit of its priginal wit. Donald Cook plays Miss Bankhead's harassed partner. Produced ■yy John C. Wilson and directed by Martin ^anulis. Plymouth, evenings, except Sun' days, at 8:40. Matinees Wednesday and ^Saturday at 2:40.
SUMMER AND SMOKE. (Oct. 6, 1948). The outstanding elements of Tennessee Williams' previous successes, The Glass Menagerie and A Streetcar Marned Desire, are present in this new Jrama, but the total effect is that of I dubious parody. The lengthy story deals ivith the neurosis of a sexually repressed
daughter of a Southern minister and his demented wife. Margaret Phillips and Tod Andrews deserve high praise for their fine performances. The settings are by Jo Miel' ziner. Produced and directed by Margo Jones. Music Box, evenings, except Sun' days, at 8:40. Matinees Wednesday and Saturday at 2:30.
Established Hits . . .
★ BORN YESTERDAY (Feb. 4, 1946). This very laughable story about a conniv ing junk dealer stars Judy HoUiday as an ex-chorine with a pure heart. Garson Kanin wrote the script which continues to tickle audiences in its third year. Lyceum, evenings, except Mondays, at 8:40. Matinees Saturday and Sunday at 2:30.
★ A STREETCAR NAMED DESIRE (Dec. 3, 1947), This tragic drama about the end of a woman's life won the Pulitzer Prize for author Tennessee Williams. Out' standing performances by Jessica Tandy, Marlon Brando, Kim Hunter and Karl Maiden. Barrymore, evenings, except Sun' day, at 8:30. Matinees Wednesday and Saturday at 2:30 . . . MISTER ROBERTS (Feb. 18, 1948). One of the best books about the war loses none of its punch as a hilarious stage comedy. Still in the crew are Henry Fonda, David Wayne, Robert Keith and William Harrigan. Joshua Logan and Thomas Heggen cooperated on the theatre version. Alvin, evenings, ex' cept Sundays, at 8:30. Matinees Wednes' days and Saturdays at 2:30 . . . THE