Take One (Sep-Oct 1972)

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“Altman and Gould make a brilliant ‘Long Goodbye. It’s so good that | don’t know where to begin describing it. It’s great fun and it’s funny, but it’s a serious, unique work. my u a = —Vincent Canby, New York Times ‘it's a knockout of a movie. Gould comes back with his best performance yet. You feel as if it could go on indefinitely and you'd be absorbed in it. $3 —Pauline Kael, The New Yorker ‘One of the best new pictures I've seen in quite some time. Altman keeps the screen alive as very few directors today can; he is idiosyncratic, contrary, resourceful and exciting. His talent is undeniable. 99 —Peter Bogdanovich, Esquire “<The Long Goodbye’ is a lovely film, go see it. | don’t know why other audiences did not dig it as much. After all Altman was taking on a film classic and a literary classic as well. But he did it successfully. 99 —Ralph Gleason, Rolling Stone “THE LONG GOODBYE” g AY] 729 SEVENTH AVE. NEW YORK, N.Y. 10019 = PHONE: (212) 575-4715 United Artists AVAILABLE SOON in 16mm