Take One (Nov-Dec 1972)

A Selective Guide to Volume 1, No. 1 (published Sept. 1966): An interview with Alfred Hitchcock; a review of Torn Curtain; reviews from the Seventh Montreal International Film Festival. No. 2 (Nov. 1966): An interview with Marshall McLuhan on cinema; Paul Krassner on ‘‘How Soft Was My Pornography”; interviews with Quebec filmmakers Arthur Lamothe and Jean-Claude Labrecque; a review of The Wild Angels. No. 3 (Jan. 1967): An interview with Jean-Luc Godard; reviews of A Fistful of Dollars, Loves of a Blonde, and Fahrenheit 451. No. 4 (April 1967): An interview with Canadian filmmaker Larry Kent; an article comparing viewers’ reactions to the same news event as reported on b&w and on color tv; reviews of Blow-Up, The Connection, and Chelsea Girls. No. 5 (June 1967): A series of articles on the Hollywood Blacklist (including personal reminiscences by Millard Lampell and Herbert Biberman); reviews of the films of Expo 67 and of Accident, Cul-de-Sac, and Au Hasard Balthazar. No. 6 (Aug. 1967): An interview with Canadian filmmaker Don Owen; the much-reprinted (Architectural Digest, Asahi Shimbun, Intellectual Digest) and oft-referred-to (Star Weekly, Playboy, Wall Street Journal, etc.) “Intersex” article by Robert Russel; an interview with Kenneth Anger; Arthur Penn on Bonnie and Clyde. ; No. 7 (Oct. 1967): An interview with Jean Renoir, an article on Quebec filmmaker Jean-Pierre Lefebvre; reviews of Warrendale, Portrait of Jason, Privilege and The Trip. No. 8 (Dec. 1967): An article on Richard Lester and How | Won The War; a report (by Joyce Wieland) on “North America’s Second All-Women Film Crew”; reviews of The Fearless Vampire Killers, Persona, and The Ernie Game. No. 9 (April 1968): An article on Silvio Narizzano; William K. Everson on Laurel and Hardy; reviews of The President's Analyst, In Cold Blood, The Battle of Algiers, and Elvira Madigan. No. 10 (June 1968): Alfred Hitchcock talking about some of the special effects used in The Birds; a report on Godard's visit to Hollywood (discussions with Sam Fuller, King Vidor, Roger Corman, and Peter Bogdanovich). No. 11 (Sept. 1968): Analyses of film violence by Fredric Wertham and Paul Krassner; a selection from the letters of Groucho Marx; an interview with the creator of the special effects for 2001; reviews of Weekend, The Green Berets, and The Bride Wore Black. No. 12 (Nov. 1968): A survey of the Cuban cinema (biographies and filmographies of four major directors); some comments by Roger Corman; Mordecai Richler on writing for the movies; and a review of Bullitt. All of the above issues (except Nos. 1, 2 and 10) are available for the special price of $30.00 while the limited supply lasts. For prices of individual copies, see the price list on this page. No. 1 (published March 1969): Interviews with everyone involved in Alice’s Restaurant (including Penn, Arlo, and Alice); an interview with Ingmar Bergman; a review of Godard’s One Plus One. No. 2 (July 1969): Interviews with Frank Zappa, Fritz Lang, and (whew) Alfred Hitchcock (the latter talking about Rear Window); reviews of /f, /n the Year of the Pig, Teorema, Salesman. No. 3 (Oct. 1969): Dynamite interviews with Peter Fonda and Sam Peckinpah; Bergman interviews himself (honest!); Stan VanDerBeek writes about computer animation. No. 4 (Jan. 1970): Part One of the edited transcript of the 1947 HUAC hearings into Communist “infiltration” of the movie industry (witnesses include Jack Warner, Ayn Rand, and Ginger Rogers’ mother). No. 5 (May 1970): Part Two of the HUAC hearings (with Dalton Trumbo, Alvah Bessie, Dore Schary, and Bertholt Brecht); an article on Roman Polanski. No. 6 (July 1970): An interview with Jacques Tati; Joe Kane's article on B films about The Bomb; Costa-Gavras talks about Z; Wexler’'s Associate Producer on Medium Cool spills all the beans; a Hollywood bibliography; reviews of Red, Goin’ Down the Road, and Hospital. No. 7 (Sept. 1979): Interviews with the people involved with American Revolution II; an article by Mordecai Richler; a speech by FCC Commissioner Nicholas Johnson; reviews of Joe and The Confession. No. 8 (Nov. 1970): Gene Phillips on homosexuality in the movies; Josef Skvorecky on the Czech New Wave; Mike Goodwin on Richard Rush. No. 9 (Dec. 1970): Interviews with Tex Avery and John Grierson; reviews of Ryan’s Daughter, Trash, and City Girl. No. 10 (March 1971): Our Ultimate Godard issue: A long interview with Godard and Gorin; reviews of four recent Godard films; an up-to-date filmography. No. 11 (June 1971): More Godard: photos from a notebook; a complete bibliography; reviews of three more films. Also: nice pictures of Genevieve Bujold; a short story; and reviews of La Hora de los Hornos, Maidstone, Claire's Knee, and El Topo. No. 12 (Oct. 1971): Roger Corman is interviewed and Laszlo Kovacs is written about; reviews of Sunday Bloody Sunday, the Cannes Film Festival, McCabe & Mrs. Miller, and Drive, He Said. All of the above issues (except No. 1) are available for the special price of $15.00 while the limited supply lasts. For prices of individual copies, see the price list on this page. Volume2and Volume3 of TAKE ONE No. 1 (published Dec. 1971): The famous (much reprinted since) Groucho Marx interview. Plus Joe Adamson’s article, “Duck Soup for the Rest of Your Life” (since included in his book); and some remarks by Stan Brakhage. Also reviews of Mon Oncle Antoine, Derby, and Rip-Off. No. 2 (Feb. 1972): The now-rare “Women In Film’ issue. Women (including Eleanor Perry, Anita Loos, Sylvia Spring, Tanya Ballantyne MacKay, and Stephanie Rothman) on Women in Film; filmographies; an interview with Shirley Clarke; another with Joyce Wieland; reviews. No. 3 (April 1972): “The Life and Times of Michael Snow” two articles on Third World films; Naomi Wise on “The Hawksian Woman". Reviews of Clockwork Orange and Last Picture Show. No. 4 (June 1972): Stuart Kaminsky’s marathon Donald Siegel interview, introduced by Peter Bogdanovich; Joan Mellen on Kurosawa. Reviews of The Godfather, The Last Movie, Le Boucher, WR, What's Up Doc?, Tout Va Bien. No. 5 (July 1972): Articles on Conrad Rooks, Yugoslav animated film, and Sex, Marriage and the Movies. Reviews of Frenzy and Cannes. No. 6 (October 1972): Chariton Heston on Orson Welles; an interview with Haskell Wexler; Leigh Brackett’s ‘Comment on The Hawksian Woman”. Reviews: of Hannie Caulder, Slaughterhouse Five, and Even Dwarts Started Small. No. 7 (Dec. 1972): Articles on The Chelsea Girls, Godzilla, Griffith and Woody Allen. Reviews of Duck You Sucker!, The Discreet Charm of the Bourgeoisie, Fat City, and The King of Marvin Gardens. No. 8 (March 1973): The Take One Howard Hawks interview; plus articles on Griffith's talkies and Joseph Losey. Reviews of Discreet Charm and Marvin Gardens, plus Last Tango in Paris. No. 9 (May 1973): Sergio Leone — an article and an interview; plus an interview with Carl Foreman and articles on Terence Fisher and A Woman of Paris. Reviews of Pulp, Ludwig, August & July, and High Plains Drifter. No. 10 (July 1973): An all-interview issue: Bruce Dern, Henry Fonda, James Wong Howe, and the makers of Cannibal Girls. Plus reviews of The Poseidon Adventure, The Harder They Come, and Pat Garrett & Billy the Kid. No. 11 (Sept. 1973): Interviews with Ray Bradbury and Tom Laughlin; articles on Allan Dwan and Edward Ludwig. Reviews of O Lucky Man!, Westworld, State of Siege, and Charley Varrick. No. 12 (Nov. 1973): A defence of David Lean, and other articles on Gung Fu and BBS's corporate style; plus a nasty interview with Costa-Gavras. A review of Mean Streets. All of the above issues are available for the special price of $10 while the very limited supply lasts. for prices of individual copies, see the price list on this page. Back issue Price List Vol. 1, No. Vol. 1, No. Vol. 1, No. Vol. 1, No. Vol. 1, No. Vol. 1, No. Vol. 1, No. Vol. 1, No. Vol. 1, No. Vol. 1, No. Vol. 1, No. Vol. 1, No. Vol. 2, No. Vol. 2, No. Vol. 2, No. Vol. 2, No. Vol.'2, No. Vol. 2, No. Vol. 2, No. Vol. 2, No. Vol. 2, No. Vol. 2, No. Vol. 2, No. Vol. 2, No. Vol. 3, No. Vol. 3, No. Vol. 3, No. Vol. 3, No. Vol. 3, No. Vol. 3, No. Vol. 3, No. Vol. 3, No. Vol. 3, No. Vol. 3, No. Vol. 3, No. Vol. 3, No. %* Note: Issues now available in + * $4.50 each $4.00 each : $4.50 each : $4.50 each $4.00 each : $4.00 each : $1.50 each * $1.50 each : $4.50 each —_ —t ok * : $1.50 each $2.00 each : $4.00 each : $1.00 each : $0.50 each $1.50 each : $1.50 each : $1.00 each : $2.00 each : $2.00 each : $1.00 each — st 1: $4.00 each 2: $1.00 each 3: $1.00 each 4: $0.50 each 5: $1.00 each 6: $0.50 each 7: $0.50 each 8: $0.50 each 9: $0.50 each 10: $0.50 each 11: $0.50 each 12: $0.50 each indicated thus are microfilm editions and Xerox copies only, directly from University Microfilms, 300 North Zeeb Road, Ann Arbor, Michigan 48106.