Take One (Mar-Apr 1973)

Record Details:

Something wrong or inaccurate about this page? Let us Know!

Thanks for helping us continually improve the quality of the Lantern search engine for all of our users! We have millions of scanned pages, so user reports are incredibly helpful for us to identify places where we can improve and update the metadata.

Please describe the issue below, and click "Submit" to send your comments to our team! If you'd prefer, you can also send us an email to mhdl@commarts.wisc.edu with your comments.




We use Optical Character Recognition (OCR) during our scanning and processing workflow to make the content of each page searchable. You can view the automatically generated text below as well as copy and paste individual pieces of text to quote in your own work.

Text recognition is never 100% accurate. Many parts of the scanned page may not be reflected in the OCR text output, including: images, page layout, certain fonts or handwriting.

° % : teen ohne eee eres ee i en : aN G3 8998 08 S008 08 O89 S ie om me # % Bill O'Neill can rock’n’ roll for you six times faster than anyone else in North America. Bill O'Neill — President of Mirrophonic Sound, adivision of Quinn Labs— is not the hottest song and dance man on this continent! He's a man with the most advanced computerized sound recording systems and equipmentat his fingertips and the most talented experts to operate them. A combo that means time saving and cost cutting for producers of feature films, documentaries and specials for television (film or videotape), radio or television commercials. “Rock and Roll” at 6 times synch speed. Conventional film recording uses the “rock and roll” technique — recording forward; rolling back. Since rolling back is done at synch speed it takes as much time as recording. So, half the time you spend in the studios mixing is wasted and costs you money. At Mirrophonic Sound, recorders, dubbers and projectors operate at six times synch speed. Dead time is reduced toa minimum. So are costs— and that boring sitting around waiting. Direct interface with videotape. Mirrophonic Sound’s new, advanced equipment can interface directly with videotape recorders—again at fast forward and reverse speeds without losing interlock. Sound tracks from complete television programs, for example, can be transferred either to 35 mm or 16 mm magnetic formats, extra sound tracks can be laid in and the complete new mix transferred tothe original videotape. All this at time and money saving speed. Track adjustment without stopping. It is often necessary during a mix to shift one or more tracks in relation to the picture. The conventional method requires stoppage of the complete mix and a time-consuming, temper-fraying delay. With Mirrophonic Sound’s computerized equipment this can all be done automatically — without stopping! Without costly dead time! Dialogue replacement without loops. Dialogue replacement by conventional looping systems requires the time-consuming setting up of separate picture, guide and virgin loops. Mirrophonic Sound’s automatic sys tem is fast and computerized. The record guide dubber and projector are interlocked by computer which automatically rocks and rolls until a perfect take is accepted. At 6 times synch speed —you don’t lose the rhythm of the scene. “This is it}’ says: Bill O’Neill. “Let's face it,’ he says, “we've got the most advanced recording systems anywherein North America. Ontop of that, Mirrophonic is the only studio that has Cine Sound of London England’s SFX library available in Canada. It’s the most comprehensive library in the world. “With all this— plus theatres, transfer rooms, editing rooms—we're ready to serve any sound recording needs. If you think I’m blowing my own trumpet, challenge me. Write to me or give me a call at Mirrophonic Sound or Quinn Labs. I believe we've got the answers.’ MIRROPHONIC SOUND LIMITED 409 King St: West, Toronto M5V IK1 Telephone (416) 869-1781