Take One (Jan 1978)

VOLUME No. 1 (published Sept. 1966): An Interview with Alfred Hitchcock; a review of “Torn Curtain", reviews from the Seventh Montreal International Film Festival. Sold out. No. 2(published Sept. 1966): An interview with Marshall McLuhan on cinema; Paul Krassneron “How Soft Was My Pornography”; Interviews with Quebec filmmakers Arthur Lamothe and Jean-Claude Labrecque; a review of “The Wild Angels”. Sold out. No. 3 (Jan. 1967): An interview with Jean-Luc Godard; reviews of “A Fistful of Dollars”, “Love of A Blonde”, and “Fahrenhelt 451”. Sold out. "No. 4 (April 1967): An Interview with Canadian filmmaker Larry Kent; an article comparing viewers’ reactions to the same news event as reported on b&w and color TV; reviews of “Blow-Up”, “The Connection”, and “Chelsea Girls”. $5.00 No. 5 (June 1967): A series of articles on the Hollywood Blacklist (including persona! reminiscences by Millard Lampell and Herbert Biberman); reviews of the films of Expo 67 and of “Accident”, “Cul-de-sac”, and “Au Hasard Balthazar’. Sold out. No. 6 (Aug. 1967): An interview with Canadian filmmaker Don Owen; the much-reprinted and oft-referred-to “Intersex” article by Robert Russel; an Interview with Kenneth Anger; Arthur Penn on “Bonnie and Clyde”. Sold out. ~ No. 7 (Oct. 1967): An Interview with Jean Renoir,an article on Quebec flimmaker Jean-Plerre Lefebvre; reviews of “Warrendale”, Eo of Jason”, “Privilege” and “The Trip”. .00 No. 8 (Dec. 1967): An article on Richard Lester and “How | Won the War’; a report (by Joyce Wieland) on “North America’s Second AllWomen Film Crew”; reviews of “The Fearless yee Killers”, “Persona”, and “Emie Game”. No. 9(April 1968): An article on Silvio Narizzano; Willlam K. Everson on Laurel and Hardy; reviews of “The President's Analyst”, “In Cold Blood”, Aye Battle of Algiers”, and “Elvira Madigan”. No. 10 (June 1968): Alfred Hitchcock talking about some of the special effects used in “The Birds”; areport on Godard’s visit to Hollywood (discussions with Sam Fuller, King Vidor, Boge Corman, and Peter Bogdanovich) Sold out. No. 11 (Sept. 1968): Analyses of film violence by Fredric Wertham and Paul Krassner; a selection from the letters of Groucho Marx; an Interview withthe creator of the special effects for“2001”; reviews of “Weekend”, “The Green Berets”, and “The Bride Wore Black”. $5.00 No. 12(Nov. 1968): Asurvey of the Cuban cinema (blographies and filmographles of four major i is directors): some comment by Roger Corman; Mordecai Richler on writing forthe movies; anda review of “Bullitt”. Sold out. VOLUME No. 1 (published March 1969): Interviews with everyone Involved In “Alice's Restaurant” (including Penn, Arlo, and Alice); an Interview with Ingmar Bergman; areview of Godard’s “One Plus One”. Sold out. No. 2 (July 1969): Interviews with Frank Zappa, Fritz Lang, and Alfred Hitchcock (the latter talking about “Rear Window"); reviews of “If”, “In the Year of the Pig”, “Teorema”, “Salesman”. $5.00 No. 3 (Oct. 1969): Dynamite Interviews with Peter Fonda and Sam Peckinpah; Bergman interviews himself (honest); Stan VanDerBeek writes about computer animation. Sold out. No. 4 (Jan. 1970): Part One of the edited transcript of the 1947 HUAC hearings Into Communist “Infiltration” of the movie Industry (witnesses Include Jack Warner, Ayn Rand, and Ginger Roger's mother). $5.00 No. 5(May 1970): Part Twoof the HUAC hearings (with Dalton Trumbo, Alvah Bessie, DoreSchary, and Bertholt Brecht); an article on Roman Polanskl. $5.00 No. 6 (July 1970): An Interview with Jacques Tati; Joe Kane's article on B films about the Bomb; Costa-Gavras talks about Z’; Wexler’s Associate Producer on “Medium Cool” spills all thebeans; aHollywood bibllography ; reviews of Bek “Goln’ Down the Road”, and “Hospital”. No. 7 (Sept. 1970): Interviews with the people Involved with “American Revolution II”; an article by Mordecai Richler; a speech by FCC Commissioner. Nicholas Johnson; reviews of “Joe” and “The Confession”. $5.00 No. 8 (Nov. 1970): Gene Phillips on homosexuallty inthe movies; Josef Skorecky on the Czech New Wave; Mike Goodwin on Richard Rush. $2.00 No. 9(Dec. 1970): Interviews with Tex Avery and John Grierson; reviews of “Ryan’s Daughter’, “Trash”, and “City Girl”. $1.50 No. 10(March 1971): Our Uitimate Godard Issue: Along interview with Godard and Gorin; reviews of four recent Godard films; an up-to-date filmography. $2.00 No. 11(June 1971): More Godard: photos froma notebook; acomplete bibllography; reviews of three more films. Also: nice pictures of Geneviéve Bujold; ashort story; and'reviews of “LaHoradeLosHornos”, “Maldstone", “Claire's Knee”, and “EI Topo”. $2.00 No. 12(Oct. 1971): Roger Corman Is Interviewed and Laszlo Kovacs Is written about; reviews of “Sunday Bloody Sunday”, the Cannes Film Festival, “McCabe & Mrs. Miller’. and “Drive. He Sald”. $2.00 VOLUME No. 1 (published Dec. 1971): The famous (much reprinted since) Groucho Marx interview. Plus Joe Adamson’s article “Duck Soup for the Rest of Yotr Life”; and some remarks by Stan Brakhage. Also reviews of “Mon Oncle Antoine”, “Derby”, and “Rip-Off”. Sold out. No. 2(Feb. 1972): The now-rare""Womenin Film” issue. Women (Including Eleanor Perry, Anita Loos, Sylvia Spring, Tanya Ballantyne MacKay, and Stephanie Rothman) on Women In Film; filmographles; Interviews with Shirley Clarke and Joyce Wieland; reviews. $4.00 No. 3 (April 1972): “The Life and Times of Michael! Snow”; two articles on Third World films; Naomi Wise on “The Hawkslan Woman”; reviews of “Clockwork Orange” and “Last Picture Show’. $4.00 No. 4 (June 1972): Stuart Kaminsky’s marathon Donald Siegel Interview, Introduced by Peter Bogdanovich; Joan Mellen on Kurosawa. Reviews of “The Godfather’, “The Last Movie", “Le Boucher’, “WR”, “What's Up Doc?”, “Tout va blen”. $1.00 No. 5 (July 1972): Charlton Heston on Orson Welles; an Interview with Haskell Wexler; Lelgh Brackett’s “Comment on the Hawksian Woman”, Reviews of “Hannle Caulder”, “Slaughterhouse Five’, and “Even Dwarfs Started Small”. $1.00 No. 6 (October 1972): Chariton Heston on Orson Welles; an Interview with Haskell Wexler; Leigh Brackett’s “Comment on the Hawkslan Woman”, Reviews of ‘‘Hannie Caulder’, “Slaughterhouse Five’, and “Even Dwarfs Started Small”. $1.00 No. 7 (Dec. 1972): Articles on “The Chelsea Girls”, Godzilla, Griffith and Woody Allen. Reviews of “Duck You Sucker!", “The Discreet Charm of the Bourgeoisie”, “Fat City”, and “The King of Marvin Gardens”. $1.00 No. 8 (March 1973): The Take One Howard Hawks Interview; plus articles on Griffith's talkles and Joseph Losey. Reviews of “Discreet Charm” and “Marvin Gardens”, plus “Last Tango In Paris.” $4.00 No. 9 (May 1973): Serglo Leone—an article and an Interview; plus an Interview with Carl Foreman and articles on Terence Fisher and "A Woman of Paris”. Reviews of “Pulp”, “Lud wig”, “August & July”, and “High Plains Drifter’. $1.00 No. 10 (July 1973): An all-interview Issue: Bruce Dern, Henry Fonda, James Wong Howe, and the makers of “Cannibal Girls’. Plus reviews of “The Poseldon Adventure”, “The Harder They Come”, and “Pat Garrett & Billy the Kid. $3,50 ~o: wf hh