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The rest of the story is in American Film
American Film is the magazine that takes you behind the scenes of American movies and television.
Not for film-fan gossip or superficial reviews. But for a lively exploration of the producing, writing, directing and acting that make film America’s most powerful art form.
Outstanding reading to complement your viewing
American Film is a truly intelligent look at the world of films, written for those who appreciate excellence in writing as well as in film. Editor Hollis Alpert directs a cast of the world’s best film writers, including Francois Truffaut, Andrew Sarris, Richard Schickel, Robert Sklar, Larry McMurtry, Martin Mayer, Emest Lehman and Erik Barnouw.
They’ll take you back to re-examine the classics, bring you up-to-date on the latest hits (and flops) and preview important new film and television projects months before they’re released. Every aspect of the film scene is covered—from preproduction to box office promotion, from university campuses to independent filmmaking—in entertaining, provocative articles such as these from recent issues:
@ Finally, the Truth about Casablanca @ The Ascendance of Lina Wertmuller © The Lost Legacy of Edward R. Murrow @ Why TV Stars Don’t Become Movie Stars © Adventures of an Amateur Publicist © Farewell to the Male
Mystique @ Inside ‘‘Sixty Minutes’’ @ Hitchcock and His Art of Suspense @ Stealing the Show: The Piracy Problem @ The Sex Comedy Without Sex ¢ The Hollywood Novel @ The Day the Silents Stopped @ The Magician and the Movies ¢ The G Rating Problem. Each issue of American
Film also brings you *‘Dialogue
on Film,’’ probing discussions with such creators of film magic as William Wyler, Ingmar Bergman, Norman Lear, Neil Simon, Jerry Lewis, Sidney Poitier, Billy Wilder, Edith Head, Michael Ritchie and George Cukor. Plus regular reports on the great film festivals, new technologies, film education, film books . . . all illustrated with dozens of stills from the best American and foreign films.
Personal involvement in the film arts
American Film is just one benefit of membership in The American Film Institute.
AFI is celebrating its tenth anniversary of involvement in such important projects as restoring and saving classic films, managing a Center for Advanced Film Studies in Los Angeles, a Directing Workshop for Women, and much more. As a member you’ll be helping in this significant work to preserve the heritage as well as the future of film in America.
Your personal T AFI membership card will entitle you to:
—a one-year
‘i
nly part of the story is in the can. yy
—personal access to AFI research and information facilities;
— invitations to special AFI events and escorted tours of AFI headquarters at the Kennedy Center in Washington, D.C. and the Greystone Mansion in Beverly Hills, California.
Examine a FREE copy of
American Film
If you love fine films, you’ll find American Film a welcome way to heighten your viewing enjoyment. The magazine alone is worth the $15 AFI membership fee. And we’ll send you a free copy to prove it.
Just complete and return the coupon below. We’ll send you the very next issue to examine without obligation and enter your membership in The American Film Institute. We’re confident you'll find American Film every bit as enjoyable and informative as described. But if you’re not absolutely delighted with it, cancel your membership and the magazine is yours to keep. FREE!
Mail the coupon today. And start getting the story that isn’t in the can.
Just $15 for 10 big issues (one year) of American Film and full membership benefits of The American Film Institute.
The American Film Institute Membership Service, P.O. Box 966 4 Farmingdale, New York 11737
5131
subscription (10 issues) to American Film;
—Discount admissions to hundreds of film screenings at the AFI repertory theater in Wash
| I | | | | L] Yes, send me my complimentary copy of American Film right | away. You may enter my one-year membership in The American y Film Institute (including nine more issues of American Film) and | | bill me at the annual rate of $15 (a $2.50 savings on the single | | copy price of the magazine alone!). If I don’t like my first copy, | | I'll simply write ‘‘cancel’’ across your bill and that will be the end | | of the matter. The complimentary issue is mine to keep in any | | I l | | | | | | | | I
ington, D.C. and at the are Los Angeles County Name tee ee tage Museum of Art;
—Discounts on Address apa ie best-selling film books, City en oe zs ra)
significant AFI publications*andimovie:StillS2ss: +s ae tk ee a ee a 4