Take One (Dec 2003 - Mar 2004)

Record Details:

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‘Images courtesy of Seville Pictures. 14 rl AA . i : If Carl Bessai were an animal, he’d be a jackrabbit: quick, alert, accustomed to taking chances. Instead, he is a Vancouver filmmaker, which is helpful because I’ve come to his office to talk about film, specifically about Emile, his latest movie. He fidgets in his chair like a man unaccustomed to sitting still, crossing and uncrossing his legs, slipping his socked feet underneath him. His untucked blue T-shirt precisely matches his eyes and the blue frames of his glasses. When our conversation turns to the loaded topic of the film’s funding, he runs his hand through his spiky blond hair. “Putting the money together for Ezmile was a nightmare,” Bessai recalls. “It was the hardest thing I’ve ever done.” DECEMBER 20038 — MARCH 2004 CARL BESSAI’S MOST EXCELLENT ADVENTURE IN MAKING EMILE WITH SIR IAN MCKELLEN