The talkies (1930)

Record Details:

Something wrong or inaccurate about this page? Let us Know!

Thanks for helping us continually improve the quality of the Lantern search engine for all of our users! We have millions of scanned pages, so user reports are incredibly helpful for us to identify places where we can improve and update the metadata.

Please describe the issue below, and click "Submit" to send your comments to our team! If you'd prefer, you can also send us an email to mhdl@commarts.wisc.edu with your comments.




We use Optical Character Recognition (OCR) during our scanning and processing workflow to make the content of each page searchable. You can view the automatically generated text below as well as copy and paste individual pieces of text to quote in your own work.

Text recognition is never 100% accurate. Many parts of the scanned page may not be reflected in the OCR text output, including: images, page layout, certain fonts or handwriting.

THE TALKIES 139 shops and offices in busy thoroughfares. The installation engineers are already beginning to find this out. Halls built as theatres, with at least some eye to their acoustic properties, are proving an easier problem than those with large expanses of smooth wall, bare seats, and thinly carpeted gangways. In such houses it is frequently necessary to have nearly twice as much amplification for the hall when it is full, as is necessary when it is half empty. Walls should be broken up by recesses, pillars, and other architectural features, in order to avoid the need of introducing areas of sound-absorbent material, which, while preventing excessive reverberation, result in unfair suppression of the already unfortunate, yet so important, high frequencies. Very lofty ceilings, if they are more than 50 or 60 feet high, tend to produce echoes which may be most disconcerting. These can, however, be prevented to a large extent by the coffering or recessing of ceilings, and by the provision of surfaces rendered irregular by plaster work and carving of one sort or another. Candelabra and other metal fittings have been known to produce trouble by jingling sympathetically when certain notes are played, an effect similar to that noticeable on pianos, when some ornament is not resting firmly on the top.