The talkies (1930)

Record Details:

Something wrong or inaccurate about this page? Let us Know!

Thanks for helping us continually improve the quality of the Lantern search engine for all of our users! We have millions of scanned pages, so user reports are incredibly helpful for us to identify places where we can improve and update the metadata.

Please describe the issue below, and click "Submit" to send your comments to our team! If you'd prefer, you can also send us an email to mhdl@commarts.wisc.edu with your comments.




We use Optical Character Recognition (OCR) during our scanning and processing workflow to make the content of each page searchable. You can view the automatically generated text below as well as copy and paste individual pieces of text to quote in your own work.

Text recognition is never 100% accurate. Many parts of the scanned page may not be reflected in the OCR text output, including: images, page layout, certain fonts or handwriting.

THETALKIES 185 part in its relation to the action and assures a continuous flow to the picture." Clara Bow, star of Wings, and possessor in excelsis of that mysterious quality known in America as "It," delivered herself thus: "Six months ago I didn't like talking pictures — thought I'd never like to appear in them. I was afraid of something which seemed to be so different from the profession I had learned, but now I know it was all because I had never worked before a microphone. To-day I am crazy about talking pictures, and I hope I never have to go back to silent films." Harold Lloyd saw added scope in comedy situations and the solution of tremendous difficulties. "Sound is going to help the comedian. It will give him a whole new bag of tricks. Before he had to depend on pantomime alone. Any sound, such as the quacking of ducks, is amusing. We had always tried to obtain such effects for comedies through the orchestra; a drummer who was clever generally added laughs. But, of course, he couldn't approach the results we will be able to attain with the microphone. The possibilities are unlimited. But the problem of producing comedies with sound is terrific. In drama it is difficult enough to keep the charac