Talking pictures : how they are made, how to appreciate them (c. 1937)

Page scan 00037 from Talking pictures : how they are made, how to appreciate them

Record Details:

Title:
Talking pictures : how they are made, how to appreciate them
Date:
c. 1937
Publisher:
Richmond : Johnson Publishing Company
Volume:
Talking pictures : how they are made, how to appreciate them
Leaf #:
00037
Language:
English
Subjects:
Motion Pictures, Motion pictures--Technology
Collection:
Books
Format:
Books
Contributor:
Media History Digital Library
Sponsor:
Media History Digital Library
Coordinator:
Media History Digital Library
Description:
Date Added:
August 29, 2024
Something wrong or inaccurate about this page? Let us Know!

Thanks for helping us continually improve the quality of the Lantern search engine for all of our users! We have millions of scanned pages, so user reports are incredibly helpful for us to identify places where we can improve and update the metadata.

Please describe the issue below, and click "Submit" to send your comments to our team! If you'd prefer, you can also send us an email to mhdl@commarts.wisc.edu with your comments.




We use Optical Character Recognition (OCR) during our scanning and processing workflow to make the content of each page searchable. You can view the automatically generated text below as well as copy and paste individual pieces of text to quote in your own work.

Text recognition is never 100% accurate. Many parts of the scanned page may not be reflected in the OCR text output, including: images, page layout, certain fonts or handwriting.

History of Motion Pictures Edison, Biograph, Vitagraph, Lubin, Selig, Essanay, Pathe, and Mclies companies, pooled their patents and claims to special rights in the Motion Picture Patents Company. The General Film Company became the distributing arm for the members of the basic company. The most powerful single concern the motion picture has known had been born. The motion picture took enormous strides forward on the impetus of two events which gave it extraordinary publicity. Edison would not hurry. His Kinetoscope was too late for the World's Fair. But on November 3, 1899 Biograph filmed the Jeffries-Sharkey fight, and in 1906 motion pictures of the San Francisco earthquake riveted more attention than all the dancing and "chase" and scenic pictures which had been produced. But several independent producers resented the efforts of the General Film Company to control their destinies. Included in this fighting group were such pioneers of the film of today as Carl Laemmle, Jesse Lasky, Adolph Zukor, Cecil B. DeMille, and Samuel Goldwyn. Had a struggle not been necessary, it is possible that a number of cinematic advances might have been many years delayed. Struggle made keener the minds of ambitious men. And eventually these leaders soared above the General Film Company, which has long since been forgotten. A familiar form of early picture theatre was a railroad coach into which audiences were lured under promises of "A Trip to China." The name of the device was "Hale's Tours." [17]