Talking pictures : how they are made, how to appreciate them (c. 1937)

Record Details:

Something wrong or inaccurate about this page? Let us Know!

Thanks for helping us continually improve the quality of the Lantern search engine for all of our users! We have millions of scanned pages, so user reports are incredibly helpful for us to identify places where we can improve and update the metadata.

Please describe the issue below, and click "Submit" to send your comments to our team! If you'd prefer, you can also send us an email to mhdl@commarts.wisc.edu with your comments.




We use Optical Character Recognition (OCR) during our scanning and processing workflow to make the content of each page searchable. You can view the automatically generated text below as well as copy and paste individual pieces of text to quote in your own work.

Text recognition is never 100% accurate. Many parts of the scanned page may not be reflected in the OCR text output, including: images, page layout, certain fonts or handwriting.

History of Motion Pictures emphasized the dramatic value of a certain war scene. But from DeiMille's New York office came a wail from a too practical executive, "We pay these actors well. Why show only one half of their faces?" DeMille answered quickly, "Don't you ever look at great paintings? That's Rembrandt lighting !" The New York executive thought the phrase strongly descriptive. The picture was advertised as "the first to have Rembrandt lighting," and motion picture photography writh its present emphasis upon artistic content had been born. Under various producers and directors, the silent film advanced steadily in importance until 1927. Clever men found endless ways to make effective pantomime and inserted written titles to take the place of stage dialogue. Stage producers noted with alarm that it was increasingly difficult to get experienced actors. The best had gone to Hollywood or to the first Eastern studios established at Fort Lee, New Jersey. In New York, silent motion pictures scored greater success than most stage plays. The Big Parade ran for more than a year on Broadway. The silent picture era developed some magnificent films. The following will probably always be remembered: The Birth of a Nation, The Ten Commandments, Seventh Heaven, Broken Blossoms, The Covered Wagon, The Little Minister, The Hunchback of Notre Dame, Ben-Hur, The Tour Horsemen of the Apocalypse, Quo Vadis (Italian), Cabiria (Italian), The Three Musketeers, Eyes of the World, Queen Elizabeth, Carmen, Civilization, and Abraham Lincoln. [19]