Talking pictures : how they are made, how to appreciate them (c. 1937)

Record Details:

Title:
Talking pictures : how they are made, how to appreciate them
Date:
c. 1937
Publisher:
Richmond : Johnson Publishing Company
Volume:
Talking pictures : how they are made, how to appreciate them
Leaf #:
000155
Language:
English
Subjects:
Motion Pictures, Motion pictures--Technology
Collection:
Books
Format:
Books
Contributor:
Media History Digital Library
Sponsor:
Media History Digital Library
Coordinator:
Media History Digital Library
Description:
Date Added:
March 28, 2024
Something wrong or inaccurate about this page? Let us Know!

Thanks for helping us continually improve the quality of the Lantern search engine for all of our users! We have millions of scanned pages, so user reports are incredibly helpful for us to identify places where we can improve and update the metadata.

Please describe the issue below, and click "Submit" to send your comments to our team! If you'd prefer, you can also send us an email to mhdl@commarts.wisc.edu with your comments.




We use Optical Character Recognition (OCR) during our scanning and processing workflow to make the content of each page searchable. You can view the automatically generated text below as well as copy and paste individual pieces of text to quote in your own work.

Text recognition is never 100% accurate. Many parts of the scanned page may not be reflected in the OCR text output, including: images, page layout, certain fonts or handwriting.

Strange Jobs special advice in the filming of The Story of Louis Pasteur. Passenger automobiles and big busses transport players from studios to locations. Such conveyances may carry a star in stylish dress on one trip. On the next, a sudden frantic call from an assistant director might cause the driver to load a box of frozen codfish or half a dozen dynamite caps. Under the transportation department are nearly two hundred other wheeled vehicles, portable electric generation outfits for use on location, portable loud-speaker wagons for the long-distance transmission of a director's orders, and portable wind-making machines. An emergency hospital is available for the actor with a frog in his throat. In a large studio, two nurses are always busy binding the smashed finger of a carpenter, or removing a foreign substance from the eye of a cameraman. The physical vastness of a film studio is hard to express in words but if you owned a motion picture studio you could: Pay the electric light bills for 100,000 five-room houses each month. The average small home uses six kilowatt hours of electricity each month; an average big studio requires 600,000. Insulate a ten-story building so that yells and screams would not disturb the neighbors in any or all of its 500 rooms. Build with the gravel and cement annually required an artificial lake having a dam fifteen feet [125]