Talking pictures : how they are made, how to appreciate them (c. 1937)

Record Details:

Something wrong or inaccurate about this page? Let us Know!

Thanks for helping us continually improve the quality of the Lantern search engine for all of our users! We have millions of scanned pages, so user reports are incredibly helpful for us to identify places where we can improve and update the metadata.

Please describe the issue below, and click "Submit" to send your comments to our team! If you'd prefer, you can also send us an email to mhdl@commarts.wisc.edu with your comments.




We use Optical Character Recognition (OCR) during our scanning and processing workflow to make the content of each page searchable. You can view the automatically generated text below as well as copy and paste individual pieces of text to quote in your own work.

Text recognition is never 100% accurate. Many parts of the scanned page may not be reflected in the OCR text output, including: images, page layout, certain fonts or handwriting.

Social Influences with having brought about the Renaissance line, with high waists, puffed sleeves, beaded fabrics, and coats that swing from the shoulder to the floor. But the visible influence of the motion picture is not at all limited to dress. Its effect on interior decoration and architecture has also been extensive. Years ago a government commercial representative told the author the following incident. It is a tale about the ruler of a remote Himalaya mountain state who once came to Delhi, India. There he saw his first motion picture in which was shown a typical American home. The Asiatic ruler understood but little of the action, but one thing did strike his attention. He was fascinated by a scene in which a man was shown reading a book under a bridge lamp. He returned to his mountains. A few months later an order from him for a bridge lamp was brought to Delhi by a pack train, the members of which had dared death to come through the snow-piled, wintry mountain passes. When it was explained that the lamp was powered by electricity, which was not available in his province, the ruler ordered a portable generating set. This generator and lamp were laboriously carted back through the snows to the castle of the ruler, located three miles above sea level. Both of these objects were unknown to the ruler before he had seen a motion picture. The communicative value of the film has farreaching implications. The cry sometimes heard from foreign countries that "American movies are Americanizing our people" is perhaps the greatest proof of the effect of the motion [241]