Talking pictures : how they are made, how to appreciate them (c. 1937)

Record Details:

Something wrong or inaccurate about this page? Let us Know!

Thanks for helping us continually improve the quality of the Lantern search engine for all of our users! We have millions of scanned pages, so user reports are incredibly helpful for us to identify places where we can improve and update the metadata.

Please describe the issue below, and click "Submit" to send your comments to our team! If you'd prefer, you can also send us an email to mhdl@commarts.wisc.edu with your comments.




We use Optical Character Recognition (OCR) during our scanning and processing workflow to make the content of each page searchable. You can view the automatically generated text below as well as copy and paste individual pieces of text to quote in your own work.

Text recognition is never 100% accurate. Many parts of the scanned page may not be reflected in the OCR text output, including: images, page layout, certain fonts or handwriting.

Talking Pictures microphone while the silent footage unrolls before him, makes comments or explanations. Commentators of this sort whose names are widely known include Pete Smith, Grantland Rice, Graham McNamee, Wilfred Lucas, Carey Wilson, Robert Benchley, Lowell Thomas, and Edwin C. Hill. A national magazine gave its highest rating of four stars to all the presentations of one of these commentators. They praised him for evenly balancing correct and educational statements on technical and semitechnical subjects and at the same time for creating interest which made them successful at the regular "pay as you enter" theatre. A great deal of research preparation and study is required of a commentator. He must become expert in his knowledge of each subject under discussion. He must have a good voice, for he must be readily understood. Distinct enunciation, correct volume, and proper pitch give popularity to America's best radio speakers and motion picture commentators. Men who cannot speak correctly and effectively are obviously barred from this interesting new phase of forensics. Localisms, colloquialisms, slang, and idioms must be carefully used and never to excess, although several commentators have developed a technique for making explanations clearer by couching their illustrations in idioms of the moment. This method needs careful handling to be effective. The pictorial subjects discussed by the various commentators have been catholic. They include birds, bugs, astrology, telepathy, astronomy, horse breeding, history, paper manufacture, reforestation, costume designing, the [246]