Start Over

The technique of film editing (1958)

Record Details:

Something wrong or inaccurate about this page? Let us Know!

Thanks for helping us continually improve the quality of the Lantern search engine for all of our users! We have millions of scanned pages, so user reports are incredibly helpful for us to identify places where we can improve and update the metadata.

Please describe the issue below, and click "Submit" to send your comments to our team! If you'd prefer, you can also send us an email to mhdl@commarts.wisc.edu with your comments.




We use Optical Character Recognition (OCR) during our scanning and processing workflow to make the content of each page searchable. You can view the automatically generated text below as well as copy and paste individual pieces of text to quote in your own work.

Text recognition is never 100% accurate. Many parts of the scanned page may not be reflected in the OCR text output, including: images, page layout, certain fonts or handwriting.

The film companies which have enabled me to use stills and reproduce excerpts of dialogue as follows : Associated British Picture Corporation (Brighton Rock, The Queen of Spades), Associated British-Pathe (The Peaceful Years), Central Office of Information (Diary for Timothy, Merchant Seamen, Night Mail, The World is Rich), Columbia Pictures Corporation Ltd. (Lady from Shanghai), General Film Distributors (Great Expectations, Naked City, Odd Man Out, Once a Jolly Swagman, The Passionate Friends), London Films Ltd. (Louisiana Story), Ministry of Education (Casting in Steel at Wilson's Forge), R.K.O. Radio Pictures, Inc. (Citizen Kane), Hal Roach Studios Inc. (Topper Returns), Shell Film Unit (Hydraulics), Warner Bros. Pictures Ltd. (Rope) ; The authors and publishers who have allowed me to quote from their publications as follows (full particulars of quotations are given in the text) : — Allen & Unwin Ltd. (The Art of the Film, by Ernest Lindgren, 1948) ; Faber & Faber Ltd. (Documentary Film, by Paul Rotha, 1936 ; The Film Sense, by Sergei M. Eisenstein, 1943) ; Dennis Dobson Ltd. (Film Form, by Sergei M. Eisenstein, 1951) ; George Newnes Ltd. (Film Technique, by V. I. Pudovkin, 1933) ; Harcourt Brace & Co. (The Rise of the American Film, by Lewis Jacobs, 1939) ; The British Film Institute (Film Editing, by Sidney Cole, 1944) ; Sir Isaac Pitman & Sons Ltd. (Sound and the Documentary Film, by Ken Cameron, 1947). K.R. 12