The technique of film editing (1958)

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13 M.L.S. Muldoon and assistants at bottom steps. Muldoon turns to assistants and speaks. They run up steps past camera. Muldoon and other assistants run back towards car. 14 Shooting along bridge. As in 5, but much farther along. Garza running towards camera and past it. 15 As above (14), but nearer end of bridge. Halloran running towards camera and past it. Mother holding her child stands right. 16 M.S. Muldoon and a cop. 'Phone box in background. 21 22 23 12 Cop runs to 'phone box. doon runs off left. Mul 17 M.S. Muldoon's car. Muldoon's assistant gets into the car. Two cops standing behind car. Two other cops standing in front of car. Muldoon gets into the car and it moves away right. Camera pans as car moves off round the corner. 18 M.S. Garza running towards camera. Camera tracks back in front of him, keeping him in M.S. 19 M.S. Halloran running towards camera. Camera tracks back in front of him, keeping him in M.S. 20 As in 18. M.S. Garza running towards camera. Interior moving car. Muldoon sitting beside driver. Camera shooting from back of car in direction of the car's movement along the bridge. Overhead crossing. Garza comes into frame bottom left and runs up the steps. As in 19. Halloran running towards camera which is tracking before him. Muldoon (shouting up) You stay with Halloran. Don't shoot unless you have to. You two stay with him. Music continues. Ft. fr. 8 2 Music continues. Muldoon : Get the radio ! Have 'em send a car to the Brooklyn end. Muldoon : You both, get in ! You two ! Up at this end. Police sirens. 12 5 I 5 13 15 6 2 7 3 8 4 5 3 2 9 7 2 II