The technique of film editing (1958)

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M.S. Leyland (now very old) sitting on hospital balcony in his dressing-gown. Camera shooting over reporter's right shoulder. S/ow dissolve to : L.S. Emily (Mrs. Kane) sitting at table. Kane walks in from left, places a plate in front of her, pretending to be a waiter. He bends down to kiss her on the forehead. Camera is tracking slowly forward throughout the whole shot. Kane sits down in his chair at the end of the table, left. Leyland has been telling the reporter about various episodes in Kane's early life. Leyland : Well, after the first couple of months, she and Charley didn't see much of each other — except at breakfast. It was a marriage — just like any other marriage. Slow, romantic music begins. Ft.fr. 43 They are now in M.S. They look at each other for a moment in silence. Kane : You're beautiful. Em/7y ; Oh, I can't be. Kane : Yes, you are, you're very, very beautiful. Em/7y : I've never been to six parties in one night in all my life. Kane : Extremely beautiful. Emily : I've never even been up so late. Kane : It's a matter of habit. Emily : I wonder what the servants will think ! Kane : They'll think we've enjoyed ourselves. f Emily : Dear — Kane : Haven't we ? £m;7y : — I don't see why you have to go straight off to the newspaper. Kane : You never should have married a newspaper man — they're worse than sailors. I absolutely adore you. 3 M.S. Emily. 4 M.S. Kane. £m//y: 4 15 Oh, Charles, even newspaper men have to sleep. Kane: 5 II I'll call Mr. Bernstein and have him put off my engagements until noon. 116