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the frames of cinematograph sound film, in which the sound is recorded
in the form of a light trace varying in its light transmission.
SPECIAL EFFECT. Any effect which is introduced into a film after
shooting by the special effects department, e.g., matte shots, "ghost"
images, special montages.
SPLICE. l.(w.) A film join. 2. (v.) To join film.
STOCK-SHOT. See LIBRARY SHOT.
SUPER-IMPOSE. To print two shots, one on top of the other, on the
same length of film, so that when projected on the screen each can
be seen through the other.
SYNC. See SYNCHRONISE.
SYNCHRONISE. To place, during editing, the sound-track in such
a position relative to the picture track that on projection a particular
selected sound will be heard at the same instant as a particular selected
image is seen. In most cases, this is done in order to make the reproduced
sound coincide with the appearance on the screen of the sound's natural
source.
SYNCHRONISER. Apparatus which facilitates the mechanical
operation of synchronising two tracks.
SYNCHRONOUS SOUND. Sound which has been synchronised with
the picture.
T TAKE. Single recording of a shot.
TILT. To turn the film camera up or down in shooting so that the
axis of the lens rotates through a vertical plane.
TRACK. 1. (/i.) Abbreviation of SOUND-TRACK. 2. (v.) To move
the camera bodily forward or backward.
TRACKING SHOT. Shot taken with a tracking camera.
TROLLEY. Wheeled vehicle on which the camera can be moved
while taking a shot.
TRUCKING SHOT. Shot taken when the camera is in movement
on a truck or trolley.
W WILD SHOOTING. Shooting the picture of a sound film without at the same time recording the sound of the action.
WILD TRACK. Sound-track recorded independently of any picture with which it may subsequently be combined.
WIPE. Form of transition from one shot to another in which a line appears to travel across the screen removing, as it travels, one shot and revealing another.
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