The technique of film editing (1958)

FOCAL BOOKS ON CINE THE TECHNIQUE OF DOCUMENTARY FILM PRODUCTION By W. Hugh Baddeley This book deals with every aspect of documentary and factual film production. Intended primarily for the working professional, but the trainee and student and amateur will find the breadth and scope of the subject stimulating. The means and methods of producing factual films are dealt with step-by-step from the initial idea to the making of the release prints and their distribution. Especially valuable are those practical suggestions that the author is able to offer from his own long personal experience. 264 pp., 60 illus. Price 42 (U.S.A. price $10.00) THE TECHNIQUE OF THE SOUND STUDIO By Alec Nesbitt Working in sound is primarily a matter of judgment and personal taste. This book tells what to listen for when placing microphones, controlling relative sound levels, mixing, creating sound effects, and so on. It shows how the best results can be obtained with any equipment from the simplest inexpensive microphone and recorder to that of the most elaborate radio or recording studio. It deals with the craftsmanship of sound, the thing that gives the bold confident line of a professional-sounding job. 288 pp., I 10 illus. Price 42/ (U.S.A. price $10.50) THE TECHNIQUE OF TELEVISION PRODUCTION By Gerald Millerson This book presents the first comprehensive survey of the mechanics, art, method and techniques used in television studio work. It offers information to help everyone engaged or interested in television production to get a broad and yet detailed view of practices and development. Each facet of studio operations — camera work, lighting, scenic design, etc. — is discussed in turn. Can also be applied in the fields of motion pictures, photography, graphic arts and sound radio. 416 pp., 1,150 illus., 2nd ed. Price 42 (U.S.A. price $10.00) THE TECHNIQUE OF FILM MUSIC By John Huntley and Roger Manvell Addressed not only to all film-makers, composers and musicians, but also to everyone interested in the art and craft of the film. After describing the part music has played in the development of both silent and sound film, the book examines in detail outstanding examples of composition in every kind of film — feature, documentary and the various fields. In most cases the composers involved have worked with the writers, and also contributed their personal views. The book is fully illustrated and also contains a special section on the recording of music for films. There is a fifty-page list of recordings from film music available on disc in Britain and the United States. THE TECHNIQUE OF FILM ANIMATION By John Halas and Roger Manvell This is the first comprehensive work to demonstrate and explain the aims and organisation of making animated films on an industrial level. It will greatly help not only those who hope to break into this rapidly expanding field but also present and potential users of advertising and instructional films, the cinema and TV screens — the sponsors and their agents — who will gain a firmer grasp of the immense scope and the wealth of variety which the medium offers. Price 42/ 352 pp., 253 illus., 2nd imp. (U.S.A. price $10.00) 304 pp., 276 illus. Price 42/ (U.S.A. price $9.00) THE TECHNIQUE OF FILM AND TV MAKE-UP By Vincent J-R. Kehoe Though primarily for the professional make-up artist, this book will prove of value also to the amateur. It explains the use of the latest techniques, both British and American, in blackand-white and colour films, with step-by-step illustrations, and gives the names of British products corresponding to solely American goods, although most materials are common to both countries. Make-up for the stage and for photographic illustration is also covered, and there is a section dealing with the modern scientific methods of making prosthetics. Written by an artist who has supervised the make-up in over 3,000 films and television shows. Price 42/(U.S.A. price $9.00) 264 pp., 220 illus. ABC OF FILM AND TV TERMS By Oswald Ski/beck This dictionary explains the working words used in British film and TV studios. It is an easy guide to understanding what another man in the studio says and to making yourself properly understood by him. It will be more than useful to all who are concerned with film or TV production. I60pp.,90i//us. Price 17/6 (U.S.A. price $3.95) THE COMPLETE TECHNIQUE OF MAKING FILMS By P. Monier A comprehensive introduction to sub-standard cinematography for amateurs and semi-professionals. It leads you step by step into the anatomy of movie making — from the single shot to the story-telling sequence. Includes a wealth of tables on faults and their remedies and a comprehensive glossary of terms. 304 pp., 176 illus., 3rd imp. Price 30/ 287