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38S APPENDIX No. 676. I WINTHBOP S*BOENT NEW YORK CITTf 21- Office— BoggB looking out of window— turn« •w«y-- here he comee-- he huetXee orer to hie deek and pretends to be Tery buey writing. rrent of office building— Jlnke ruehee into ecene-- dashes Into building, upsetting e couple of men coming out-- never notloes them. Into building. Office-- BoggB listening-- hears noise-- turns beck t^ desk-- Jinks bounces in-- daehes up to Boggs-- begins to pound on desk-- Bogge laughs at him-- Jinks working himself into a frenzy— all ready to soak Boggs— Bill gets up-- pulls Jinks around to face him-- hands him one wallop-- Jinks drops-- Bill lifts him up— holds on to his collar-- tells him to'apologize to Boggs-- Jinks craw- fishes-- Bill takes him by the shoulders— rune him out— Boggs laughs— Bill comes back-- Boggs give him money— shakes his hand- saye-- •I think I'll play a little poker again tonight." Bogge sits down, pleased all over— Bill doesn't give a hang what Boggs does so long as he pays Leader-- That evening. 24- Boom-- Bogge end othere playing poker— Bill In corner smoking cigar-- not much suggestion of booze. 25- Dining room— Mrs. Boggs goes to clock-- looks- 26- Bnet of clock— hands show half past ten. 27- Back to scene— Ure. Bogge turns from clock-- paces up and down- beginning to get Bore. DPart of a comedy script ("His Bodyguard," Lubin) with four lines of space between each scene to permit the director to make interpolations when desired. A useful form for first drafts and practice work, but not recommended for scripts for submission unless requested by the editor.